Fiona Apple ¦ Extraordinary Machine

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Extraordinary Machine is the third studio album by American singer-songwriter Fiona Apple, released by Epic Records in the United States on October 4, 2005. Produced by Jon Brion, it was expected to be released in 2003 but was delayed several times by the record label without explanation, leading to speculation that a dispute had arisen over its commercial appeal. The controversy surrounding the album and leaked recordings of the Jon Brion sessions were the subject of substantial press attention, as well as a highly publicized fan-led campaign to see the album officially released. In collaboration with producers Mike Elizondo and Brian Kehew, Apple re-recorded the album over 2004 and 2005, and it was eventually released more than three years after the original recording sessions began.

The album was nominated for the Grammy Award for Best Pop Vocal Album in 2006. In 2009, Extraordinary Machine was named the 49th best album of the 2000s by Rolling Stone,[2] and in 2020 was ranked at number 444 on the magazine's list of the 500 greatest albums of all time.[3]

Background and production

After completing a concert tour in support of her second album When the Pawn... (1999) in 2000, Fiona Apple relocated to Los Angeles. "The first couple of years [after Pawn], I didn't have anything left in me to write about ... I just figured if the songs came to me, they came to me, and if not, 'Oh, well, it's been fun'", she said.[4] During her hiatus, Apple contemplated retiring from her recording career. In spring 2002 Apple and Jon Brion, her longtime friend and producer on When the Pawn, met for their weekly lunch meeting. Brion's five-year relationship with comedian Mary Lynn Rajskub had abruptly ended during the shooting of the Paul Thomas Anderson film Punch-Drunk Love (2002), which Brion was scoring. He reportedly "begged" Apple to make another album after being forced to watch hours of footage of Rajskub while working on the film: "I need work that can save me". Apple agreed, and Brion went to Apple's label, Epic Records, with strict stipulations (including no deadline), to which the label eventually agreed. A tentative November 2002 release date was then set.

After performing the then-untitled "Not About Love" at a Brion concert in February, Apple started studio work on the album the following June at Ocean Way Recording, where she played for Brion the first five songs she had written for the album. She debuted the song "A New Version of Me" (later renamed "Better", and then "Better Version of Me") live at Club Largo—where Brion has a regular Friday-night gig, often joined by musical friends—in August.[5] By late 2002 Apple, Brion, engineer Tom Biller and percussionist Matt Chamberlain were at work in a wing of the Paramour Mansion, which was built in 1923 by silent film star Antonio Moreno; the four used the building as a temporary residence from early 2003, and Chamberlain said the experience of recording there was "completely amazing". With the album half complete in April 2003, Brion, Apple and Biller worked at Cello Studios, and a new release date of July 22 was announced. Brion and Apple then travelled to England later that month, to record strings and orchestration for the songs at Abbey Road Studios in London. The album was completed from Brion's perspective by May 2003, at which point the release was pushed back to September 30. But by Fall 2003 Apple and Brion were back in the recording studio adding finishing touches to the album, thus forcing back the release date to February 2004 (this was later changed to "early 2004").

Little by little, small details about the songs were revealed through newspaper and magazine articles. An August 2003 article on Jon Brion in The New York Times revealed the title of another song on the album, "Oh Well", with Brion stating that he cried the first time he heard Apple play it. Brion worked solidly on "Oh Well" for over a week, and would later refer to it as the album's "problem child". The November 13, 2003 issue of Rolling Stone reported that the album was "definitely eclectic" and quoted Apple admitting that the album was "all over the place". The slow-paced track "Extraordinary" was referred to as "a Tin Pan Alley-esque blend of Tom Waits and Vaudeville", while the much more energetic "Better" was described as "an OutKast-like deluge of beats".[6] In February 2004 an item in Spin magazine confirmed the title of the album and a new song, "Red, Red, Red", which Apple said was inspired by a book about optical illusions.[7]

Delays and leaked tracks

In late June 2004 the song "Extraordinary"—which had since been retitled as the title track—was leaked onto the internet. Soon after, a "rough mix" of "Better Version of Me" also leaked, with the following inscription listed as a comment in the properties of the MP3 file: "It has some good bits, but I still think we never have topped the second version. Ideally, we would combine some of this with that, but obviously we can't. Sigh. Ask the others what they think—I know she was partial to both of them, particularly the second". Josh Korr of the Tampa Bay Times wrote, "With a playfulness and penchant for odd sounds and instruments that channel the spirit of Brian Wilson's Smile, Apple's first songs since 1999 make Norah Jones, Joss Stone, Alicia Keys and other pretenders sound like American Idol rejects",[8] while Entertainment Weekly called the songs "tantalizing, brazenly eccentric art pop ... With Apple, the weirder, the better".[9]

Fans in support of Fiona Apple demonstrating outside the headquarters of Sony BMG Music Entertainment in New York City on January 28, 2005.

After months of no official news, an article about Jon Brion appeared in an October 2004 issue of Entertainment Weekly. In it Brion is reported to have said that the album had been shelved since its completion in May 2003 due to the label not hearing any obvious singles. A representative for Epic Records stated that the album was to be released in February 2005, and that Apple had decided to re-record some of the songs.[10] Brion later clarified the status of the album in an interview with MTV News in January 2005: he said that Epic had desired material in the vein of Apple's debut album Tidal (1996), but that when confronted by Machine, "it's just not the obvious easy sell to them".[11] When USA Today asked Apple herself about when the album would be released, she replied: "You'll probably know before I do".[12]

Shortly thereafter, Fiona Apple fans organized a week-long mail campaign to flood Sony with support for Apple and for the release of the album. In response to the campaign, Epic president Steve Barnett said: "It's our understanding that Fiona is still in the midst of recording her next album, and we at Epic Records join music lovers everywhere in eagerly anticipating her next release". On February 26, 2005 radio DJ Andrew Harms at 107.7 The End in Seattle began playing previously unheard tracks from a bootleg copy of the album, and before long, poor quality copies of "Not About Love", "Get Him Back" and "Used to Love Him" were circulating on the internet.[13] Harms said of the situation: "this is pretty special ... with an established [artist] like Fiona, to have that happen is pretty crazy, so to stumble upon a full-length copy of the record was incredible"; he also noted the positive response from listeners the songs had received.[14]

Blender, in its May 2005 issue, included "Used to Love Him" on their list of "20 Songs You Should Download This Month".[15]

By early March 2005 radio recordings of "Waltz", "Please, Please, Please", "Oh, Sailor" and "Window" had leaked online; those were followed by better quality album cuts of "Oh Well" and "Red, Red, Red". Soon after, CD-quality versions of all the tracks were released through the BitTorrent website TorrentBox. They received a positive review from The New York Times, who described the album as "an oddball gem", adding "Had it been released, Extraordinary Machine would have been a fine counterbalance to a pop moment full of monolithic, self-righteous sincerity."[16] Ed Bumgardner concurred, saying the album was "certainly a work of daring and sophistication, as wildly imaginative as it is entertaining",[17] while Will Dukes said "Extraordinary Machine flaunts a quirky, cold-world cohesiveness that's as inviting as it is alienating."[18] According to the file-sharing tracking website BigChampagne in March, 46,759 people were sharing the leaked tracks on major P2P networks.[19] The RIAA later contacted webmasters of sites hosting the files and asked them to be taken down,[20][21] while the BitTorrent files subsequently vanished from the TorrentBox website.

Re-recording and release

Entertainment Weekly reported in its June 24, 2005 issue that Apple was preparing work on a "second third" album with producer Brian Kehew of the electronica band The Moog Cookbook,[22] further fueling speculation amongst fans that the leaked Machine tracks had been shelved indefinitely. A July 2005 online chat, little noticed at the time, occurred with hip hop musician Questlove on a website devoted to The Roots. He said the album was "not cancelled", was in co-production with Mike Elizondo, and would be a DualDisc, all of which was later confirmed as true.[23] (Questlove also said he played drums on the album, and in the March 2005 issue of Rolling Stone, he had said he may collaborate with Apple on her next album.[24])

After months of silence, Epic released a statement regarding the album's future on August 15, 2005: Extraordinary Machine was to be officially released on October 4, 2005, extensively reworked by co-producers Elizondo and Kehew. Elizondo had played bass on two When the Pawn tracks, but one reporter had described him as "a curious departure from Brion" because of his more well-known production work with popular hip hop artists such as 50 Cent, Dr. Dre and Eminem. He and Kehew worked at the Phantom Studio located behind Elizondo's Westlake Village home, reworking each song; track by track they built from Apple's piano and vocals, added live drums with the help of Abe Laboriel Jr. and Questlove, and then instrumental flourishes. Once the song frameworks had been completed, Apple returned to the studio and recorded final performances. The album cover is a photograph of an agapanthus bud, taken by Apple in her front yard; in a 2006 interview, she said, " just seemed like a really cool image to have on an album cover."[25]

Of the eleven tracks previously leaked, two remained unchanged: "Extraordinary Machine" and "Waltz"; but nine were completely rearranged. One new song, "Parting Gift", was also included on the album; it is a solo vocal piece with piano that was recorded on the first take. Elizondo said he felt that most of the tracks sound "radically different", and that even though he listened to Brion's version, "Everything was done from scratch". The New York Times suggested that Epic Records was not impressed with fan interest in the bootleg, and that Apple never considered the album finished; but by the time of the leak, she and Elizondo had been at work for some time (since April 2004). In an interview with Rolling Stone in September 2005, Apple explained her decision: "I gathered scraps for songs, and I ended up writing the rest on the way, a totally new approach for me...[but] I didn't have enough time to live with the songs before recording them, so I really didn't know what I wanted".[4]

Speaking with Billboard, Elizondo acknowledged that it was "a little disheartening" to be working with the knowledge that Brion's version was available to the public, but applauded Apple's "amazing core of fans" for their efforts to have the album released: "The way they interpreted it was, the label isn't putting out her record, so we're going to do it for her. That's very admirable". However, he defended Apple's decision to press on until the album reached the finished state that she had envisioned. On the day of the announcement, the label placed "O' Sailor" for streaming on Apple's MySpace site (the entire album was made available for streaming on September 27), and streamed both "O' Sailor" and "Parting Gift" on Apple's official website. Additionally, exclusive video material was put up weekly in the run-up to the album's release and most of which was later included on the DVD side of the album DualDisc, along with recordings of five of Apple's live performances at Largo.

Despite rumors that the album had caused a rift between Brion and Apple, they performed together at Largo the Friday evening before Epic's announcement. Brion told MTV News, "She re-recorded a bunch of stuff, but whatever, that's her business. I remain a fan and think she's great, and she shouldn't have to meet too much resistance"; meanwhile, Elizondo insisted Brion was "cool on all fronts" about the proposed re-recording.[4] However, Brion struck out at the bootleg version of the album: "It's wrong...I don't like those [leaked] versions. It's stuff that doesn't reflect what we recorded, for the most part". In late 2005 MTV News reported that Brion and Apple may collaborate again to complete the original recording sessions for Extraordinary Machine and release it officially in the near future. Apple said "I really think it would be cool to compare [the two versions]."[26]

Reception and promotion

Professional ratings
Aggregate scores
Review scores
Entertainment WeeklyA[29]
The Guardian[30]
Rolling Stone[34]
The Village VoiceA−[36]

The official version of Extraordinary Machine was ranked number one on year-end top albums lists of Entertainment Weekly, The New York Times and Slant magazine; within the top five in The Village Voice, Blender magazine and Rolling Stone; and in the top ten in the Los Angeles Times and Spin magazine.[37] Some publications regarded the album less favorably; Stylus described it as "a rudderless piece of work" and "a bitterly disappointing listen",[38] Spin stated "it's kinda been done", and noted Apple reined in the penchant to overwrite; and Pitchfork (which placed the leaked version of the album at number 46 on their "Top 50 Albums of 2005" list[39]) wrote, "The shame of it all is that Apple, after six years of silence, could've made a more definitive, progressive statement rather than something familiar and similar—and we've got the bootlegs to prove it".[32] Extraordinary Machine was nominated for the 2006 Grammy Award for "Best Pop Vocal Album".[40]

Apple performing in Seattle while on tour with Coldplay in January 2006.

During mid-August 2005 and ahead of the album's release in October, both "O' Sailor" and "Parting Gift" were made available as a bundle download at the online iTunes Music Store. While "O' Sailor" was released separately at other digital music stores, video promotion for "Parting Gift" began later that month. Extraordinary Machine received the best reviews of Apple's career, and was placed as the number one album of the year at Slant, number four at Rolling Stone and number ten at It debuted at number seven on the U.S. Billboard 200 chart with 94,000 copies sold in its first week of release, making it Apple's first top ten album;[41] however, it fell out of the top ten in its second week with a sales decline of almost 50 percent.[42] The video for "O' Sailor" began to receive television airplay in November, and the following January the "Not About Love" video made its Internet premiere; early the next month, "Get Him Back" was released to radio stations. None of the singles attracted substantial airplay or digital downloads, and consequently they did not appear on the U.S. Billboard Hot 100 or Billboard's Modern Rock Tracks chart.

As of June 2012 the album has sold 1 million copies according to Nielsen SoundScan in United States.[43] Prior to receiving a gold certification from the RIAA in January 2006 for shipments of 500,000 copies, it was nominated for the New Pantheon award, which honors "left of center" albums that shipped less than 500,000 copies in the U.S. between July 2004 and October 2005.[44] Apple went on a three-week U.S. tour from November 22 to December 11 to promote the album,[45] and from January 25 to March 5, 2006 she supported British band Coldplay on the first half of their North American X&Y tour.[46] Apple also appeared on her own headlining summer tour from April 10, 2006 to October 29, 2006, with Damien Rice and Davíd Garza as her supporting acts for the 35 shows.[47]

Track listing

All tracks are written by Fiona Apple

1."Extraordinary Machine"3:44
2."Get Him Back"5:26
3."O' Sailor"5:37
4."Better Version of Me"3:01
5."Tymps (The Sick in the Head Song)"4:05
6."Parting Gift"3:36
8."Oh Well"3:42
9."Please Please Please"3:35
10."Red Red Red"4:08
11."Not About Love"4:21
12."Waltz (Better than Fine)"3:46
Total length:50:34
Bootleg release
1."Not About Love"3:46
2."Red Red Red"3:30
3."Get Him Back"4:32
4."Better Version of Me"3:33
5."Oh Well"3:51
6."O' Sailor"6:25
7."Used to Love Him"3:43
9."Waltz (Better Than Fine)"3:45
10."Extraordinary Machine"3:41
11."Please Please Please"3:55
Deluxe edition bonus DVD
1."Not About Love (video)" 
2."Extraordinary Machine" (Live at Club Largo) 
3."River, Stay Away from My Door" (Live at Club Largo) 
4."Paper Bag" (Live at Club Largo) 
5."Fast as You Can" (Live at Club Largo) 
6."You Belong to Me" (Live at Club Largo) 
7."Parting Gift" (Live at the Jazz Factory) 



Chart (2005)Peak
Australian ARIA Albums Chart[48]53
US Billboard 2007[49]


Certifications and sales

RegionCertificationCertified units/sales
United States (RIAA)[50]Gold1,000,000[43]

See also


  1. ^ a b Erlewine, Stephen Thomas. "Extraordinary Machine – Fiona Apple". AllMusic. Retrieved September 19, 2005.
  2. ^ Fricke, David; Hermes, Will; Hoard, Christian; Rosen, Jody; Sheffield, Rob (December 25, 2009). "50 Best Albums of the Decade". Rolling Stone. No. 1094/1095. pp. 47–56. Archived from the original on March 30, 2010. Retrieved 1 September 2011.
  3. ^ "The 500 Greatest Albums of All Time". Rolling Stone. September 22, 2020. Retrieved September 24, 2020.
  4. ^ a b c Scaggs, Austin (August 30, 2005). "Fiona Talks "Machine"". Rolling Stone. Archived from the original on May 9, 2006. Retrieved 4 June 2006.
  5. ^ Lane. "Untitled" Archived 2005-09-24 at the Wayback Machine. July 22, 2002. Retrieved September 1, 2005.
  6. ^ Baltin, Steve (October 17, 2003). "Fiona Apple Ripe for Return". Rolling Stone. Archived from the original on 2009-01-14. Retrieved 1 September 2005.
  7. ^ Spitz, Mark (March 2004). "noise: backstage pass: Suddenly Girl, Interrupted". Spin. 20 (3): 22. Retrieved 8 December 2011.
  8. ^ Korr, Josh (February 16, 2005). "Some hits—and misses". Tampa Bay Times. Archived from the original on January 3, 2006. Retrieved August 28, 2005.{{cite news}}: CS1 maint: bot: original URL status unknown (link)
  9. ^ Browne, David (January 21, 2005). "The Corrections: Fiona Apple". Entertainment Weekly. No. 802. pp. 83–84. Retrieved 6 December 2011. Posted on January 17, 2005.
  10. ^ Willman, Chris (October 15, 2004). "Artists' Choice". Entertainment Weekly. No. 788. p. 73. Archived from the original on 25 April 2009. Retrieved 6 December 2011.
  11. ^ Perez, Rodrigo (January 26, 2005). "Whatever Happened To Fiona Apple? Online Campaign Tries To Find Out". MTV News. Retrieved September 1, 2005.
  12. ^ Vivinetto, Gina (February 7, 2005). "Sony cuts Apple's fans to the core". St. Petersburg Times. Retrieved September 2, 2005.
  13. ^ Lane. "Seattle radio playing new Fiona tracks" Archived 2005-09-01 at the Wayback Machine. February 26, 2005. Retrieved September 4, 2005.
  14. ^ Perez, Rodrigo (March 1, 2005). "Fiona Apple's Extraordinary Songs Leaked On The Radio". MTV News. Retrieved September 1, 2005.
  15. ^ "20 Songs You Should Download This Month". Blender. May 2005. p. 44 – via
  16. ^ Pareles, Jon (April 3, 2005). "DIRECTIONS: BOOTLEG REVIEW; The Lost Apple". The New York Times. Retrieved September 1, 2005.
  17. ^ Bumgardner, Ed. "Fiona Apple on the shelf because she's ... odd" Archived 2005-09-14 at the Wayback Machine. JournalNow. March 31, 2005. Retrieved September 1, 2005.
  18. ^ Dukes, Will. "Fiona Apple: "Not About Love""[permanent dead link]. Pitchfork. April 4, 2005. Retrieved February 5, 2007.
  19. ^ Edlund, Martin. "The Fiona Apple Fiasco" Archived 2005-08-29 at the Wayback Machine. Slate. April 19, 2005. Retrieved August 31, 2005.
  20. ^ Lucero, Andres. "I just totally got served!" Archived 2007-04-27 at the Wayback Machine. GeekDreams. April 5, 2005. Retrieved September 1, 2005.
  21. ^ Tanaka, Nadja. "Fiona Apple Extraordinary Machine Tracks" Archived 2008-10-12 at the Wayback Machine. Nadja Dee's Lavender Garden. March 3, 2005. Retrieved September 1, 2005.
  22. ^ "Must List 2005: Fiona Apple's "Extraordinary Machine"". Entertainment Weekly. No. 826–827. June 24, 2005. p. 101. Archived from the original on 21 April 2009. Retrieved 6 December 2011.
  23. ^ Quinn. "better version of me". From Blown Speakers. July 12, 2005. Retrieved September 1, 2005.
  24. ^ Rolling Stone. March 2005.
  25. ^ Lanham, Tom (2006-06-23). "Fiona Apple's back, with 'Extraordinary Machine'". East Bay Times. Retrieved 2024-01-19.
  26. ^ Perez, Rodrigo; Norris, John (November 4, 2005). "Fiona Apple Haunts Ocean Liner In New Clip; May Release Alternate Version Of New LP". MTV News. Retrieved February 12, 2006.
  27. ^ "Reviews for Extraordinary Machine by Fiona Apple". Metacritic. Retrieved May 5, 2016.
  28. ^ Tucker, Ken (November 2005). "Fiona Apple: Extraordinary Machine". Blender (42): 129. Archived from the original on June 7, 2007. Retrieved July 25, 2007.
  29. ^ Browne, David (October 3, 2005). "Apple 2.0". Entertainment Weekly. No. 843. p. 72. Archived from the original on January 18, 2017. Retrieved July 25, 2007.
  30. ^ Petridis, Alexis (January 6, 2006). "Fiona Apple, Extraordinary Machine". The Guardian. Retrieved July 25, 2007.
  31. ^ "Fiona Apple: Extraordinary Machine". NME: 34. January 14, 2006.
  32. ^ a b Mitchum, Rob (October 4, 2005). "Fiona Apple: Extraordinary Machine". Pitchfork. Retrieved December 15, 2005.
  33. ^ "Fiona Apple: Extraordinary Machine". Q (234): 126. January 2006.
  34. ^ Walters, Barry (October 6, 2005). "Extraordinary Machine". Rolling Stone. No. 984. pp. 147–48. Archived from the original on September 1, 2006. Retrieved February 5, 2007.
  35. ^ Beaujon, Andrew (November 2005). "One Bad Apple". Spin. 21 (11): 46. Retrieved May 5, 2016.
  36. ^ Christgau, Robert (January 10, 2006). "Consumer Guide: Extraordinary Machines". The Village Voice. Retrieved December 5, 2011.
  37. ^ "The 30 Best-Reviewed Albums of the Year". Metacritic. Retrieved June 1, 2005.
  38. ^ "Fiona Apple – Extraordinary Machine – Review – Stylus Magazine". Archived from the original on 2006-03-29. Retrieved 2006-06-01.
  39. ^ "Top 50 Albums of 2005" Archived 2007-02-26 at the Wayback Machine. Pitchfork. Retrieved February 5, 2007.
  40. ^ "48th Annual Grammy Awards Winners List". NARAS. February 8, 2006. Retrieved June 1, 2006.
  41. ^ Harris, Chris (October 12, 2005). "New releases from Fiona Apple and Franz Ferdinand make albums chart's top 10". MTV News. Retrieved February 12, 2006.
  42. ^ Harris, Chris (October 19, 2005). "Alicia Keys Scores Third Billboard #1 With Unplugged". MTV News. Retrieved February 12, 2006.
  43. ^ a b Horowitz, Steven J. (June 15, 2012). "Fiona Apple Banked on Buzz to Build Anticipation for New Release". Billboard. Retrieved October 20, 2019.
  44. ^ Montgomery, James (January 11, 2006). "Death Cab, M.I.A., Fiona Among New Pantheon Finalists". MTV News. Retrieved February 12, 2006.
  45. ^ Kaufman, Gil; Norris, John (October 5, 2005). "Fiona Apple Announces Extraordinary Tour Dates". MTV News. Retrieved May 31, 2006.
  46. ^ Cohen, Jonathan (November 9, 2005). "Coldplay Drafts Apple, Ashcroft For 2006 Tour". Billboard. Retrieved May 31, 2006.
  47. ^ Cohen, Jonathan (April 19, 2006). "Fiona Taps Rice, Garza For Summer Trek". Billboard. Retrieved May 31, 2006.
  48. ^ Ryan, Gavin (2011). Australia's Music Charts 1988-2010. Mt. Martha, VIC, Australia: Moonlight Publishing.
  49. ^ "Fiona Apple Chart History". Billboard. Retrieved 2019-01-17.
  50. ^ "American album certifications – Fiona Apple – Extraordinary machine". Recording Industry Association of America. Retrieved October 20, 2019.
  51. ^ Lindsey, Craig D. (February 25, 2013). "Bilal's New A Love Surreal Was Inspired By Salvador Dali". The Village Voice. Retrieved July 20, 2020.

External links


Veröffentlichungen von Fiona Apple die im OTRS erhältlich sind/waren:

Fetch The Bolt Cutters ¦ Extraordinary Machine ¦ The Idler Wheel Is Wiser... ¦ When The Pawn ¦ Tidal

Fiona Apple auf Wikipedia (oder andere Quellen):

Fiona Apple (2015)

Fiona Apple (* 13. September 1977 in New York City als Fiona Apple Maggart) ist eine US-amerikanische Singer-Songwriterin und Pianistin.


Fiona Apple ist die Tochter des Schauspielers Brandon Maggart und der Sängerin Diane McAfee. Ihre Schwester Amber tritt als Sängerin unter dem Namen Maude Maggart auf.[1] Ihr Halbbruder Garett Maggart spielte in der Fernsehserie Der Sentinel – Im Auge des Jägers.

In ihrer Kindheit bekam Fiona Klavierunterricht. Ihre Eltern trennten sich früh. Im Alter von 12 Jahren wurde sie auf dem Weg zu ihrer Mutter vergewaltigt.[2][3][4] Um das Erlebnis zu verarbeiten, schrieb sie später das Lied Sullen Girl[5] und machte eine Psychotherapie. Auch war Fiona bereits öfter wegen Aggressionen und psychischen Problemen in psychotherapeutischer Behandlung, unter anderem, weil sie als Teenager drohte, sich und ihre Schwester Amber umzubringen.

Durch eine Freundin bekam sie 1996 einen Plattenvertrag bei Epic Records. Für ihren Song Criminal wurde sie mit einem Grammy ausgezeichnet. Ihr Video zu Sleep to Dream wurde 1997 mit dem MTV Video Music Award ausgezeichnet.

Ihr Auftritt bei den MTV Video Music Awards 1997 erlangte große Beachtung in den Medien. Mit den Worten „Diese Welt ist Scheiße, und Sie sollten Ihr Leben nicht danach richten, was Sie glauben, was wir cool finden, was wir tragen und was wir sagen“, kritisierte sie die Musikindustrie.[6]

Fiona Apple ist Veganerin und setzt sich als Unterstützerin von PETA für Tierrechte ein.



1996 erschien Tidal, ihr Debütalbum, das bis heute allein in den USA mehr als 3 Millionen Mal verkauft wurde (3-fach Platin). Criminal, ihre dritte Single, bekam große Resonanz. Weitere Singles vom Album sind Sleep to Dream, Shadowboxer, Never Is a Promise und The First Taste.

Nach ihren Debüterfolg und einigen Kontroversen – u. a. einem Auftritt bei den MTV Video Music Awards, bei dem sie die Musikindustrie beschimpft[2][7] – dauert es 3 Jahre bis zur nächsten Veröffentlichung.

When the Pawn...

Nach einem Streit mit der Plattenfirma, die mit dem 90 Worte langen Titel (When the Pawn Hits the Conflicts He Thinks Like a King/What He Knows Throws the Blows When He Goes to the Fight/And He’ll Win the Whole Thing 'Fore He Enters the Ring/There’s No Body to Batter When Your Mind Is Your Might/So When You Go Solo, You Hold Your Own Hand/And Remember That Depth Is the Greatest of Heights/And If You Know Where You Stand, Then You Know Where to Land/And If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right) nicht einverstanden ist, erscheint 1999 doch noch ihr zweites Album. Der Albumname, ein von Fiona geschriebenes Gedicht, wird üblicherweise auf When the Pawn verkürzt.

Das musikalisch experimentellere Album wird von vielen Kritikern und Fans gelobt und erreicht zwar noch Platin-Status, kommt aber an den Erfolg ihres Debüts nicht heran. Als Singles werden Fast as You Can, Paper Bag und Limp veröffentlicht.

2002 war Apple Gastsängerin für den Simon-&-Garfunkel-Klassiker Bridge over Troubled Water auf Johnny Cashs Album American IV: The Man Comes Around. Außerdem sang sie zusammen mit Cash eine Coverversion des Titels Father and Son von Cat Stevens ein, die auf dessen Album Unearthed postum erschien.

Extraordinary Machine

2003 lehnte die Plattenfirma die Veröffentlichung des dritten Albums Extraordinary Machine ab. Das Material wurde als „kommerziell nicht erfolgversprechend“ bezeichnet. Fiona Apples Karriere hing in der Luft.

Im Laufe der Zeit tauchten jedoch einzelne Lieder des unveröffentlichten Albums in Internet-Tauschbörsen auf und wurden auch von kleinen Radiostationen gespielt. Fans organisierten im Januar 2005 die Kampagne Free Fiona für die Veröffentlichung.[8] Am 15. August 2005 kündigt die Plattenfirma schließlich die Veröffentlichung einer überarbeiteten Version von Extraordinary Machine für Oktober 2005 an.

Als Produzent fungiert Mike Elizondo, bekannt durch seine Arbeit mit Hip-Hop-Künstlern wie z. B. Dr. Dre, Co-Produzent ist Brian Kehew. Von den elf bereits aufgetauchten Liedern wurden neun komplett überarbeitet und ein neuer Song (Parting Gift) eingespielt. Laut Elizondo klingt die Produktion nun „völlig anders“. Obwohl er sich die frühere, von Jon Brion produzierte Version angehört hat, wurde „alles von Grund auf neu gemacht“.

The Idler Wheel...

Im Juni 2012 veröffentlichte Apple ihr viertes, mit Konzertdrummer Charley Drayton produziertes Studioalbum mit dem sperrigen Titel The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do (kurz The Idler Wheel...). Der Erscheinungstermin wurde von der Künstlerin aufgrund von Labelinterna hinausgezögert. Das Album erhielt hervorragende Kritiken und fand sich auf einigen Jahresbestlisten, unter anderem vom Time Magazine, an erster Stelle.[9] Auf der Website Metacritic erhielt der Tonträger eine Bewertung von 89 von 100 Punkten.[10]

Nach längerer Pause meldete sich Apple im Dezember 2016 mit einem Anti-Trump-Song namens Trump’s Nuts Roasting on an Open Fire (eine Verballhornung des Weihnachtsklassikers Chestnuts Roasting on an Open Fire) in der Öffentlichkeit zurück. Im Januar 2017 veröffentlichte sie gemeinsam mit Produzent Michael Whalen den eigens für den Women’s March on Washington verfassten Protestsong Tiny Hands.[11]

Fetch the Bolt Cutters

Erst acht Jahre nach dem letzten Album kam im April 2020 das fünfte Studioalbum namens Fetch the Bolt Cutters. Den Erscheinungstermin hat die Musikerin vorgezogen.[12][13] Es wurde 2021 mit einem Grammy für das beste Alternative Album ausgezeichnet.[14]

Im Jahr 2022 übernahm Apple den Gesangspart in Where the Shadows Lie. Das von Bear McCreary komponierte Stück gehört zum Soundtrack der Serie Der Herr der Ringe: Die Ringe der Macht und wird im Abspann der letzten Episode verwendet. Der Text besteht aus einem Gedicht über die Ringe der Macht.



JahrTitelHöchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen[15][16]
(Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen)

(91 Wo.)US
Erstveröffentlichung: 23. Juli 1996
Verkäufe: + 3.000.000
1999When the Pawn…DE66
(5 Wo.)DE
(2 Wo.)UK

(20 Wo.)US
Erstveröffentlichung: 9. November 1999
Verkäufe: + 1.000.000
2005Extraordinary MachineUS7

(21 Wo.)US
Erstveröffentlichung: 3. Oktober 2005
Verkäufe: + 500.000
2012The Idler Wheel…DE56
(1 Wo.)DE
(2 Wo.)AT
(2 Wo.)CH
(1 Wo.)UK
(16 Wo.)US
Erstveröffentlichung: 19. Juni 2012
2020Fetch the Bolt CuttersDE20
(2 Wo.)DE
(2 Wo.)AT
(3 Wo.)CH
(2 Wo.)UK
(3 Wo.)US
Erstveröffentlichung: 17. April 2020

Weitere Alben

  • 2006: iTunes Originals
  • 2015: Watkins Family Hour


Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen[15]
(Jahr, Titel, Album, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen)
1997Sleep to Dream
(1 Wo.)UK
Erstveröffentlichung: 14. April 1997

(20 Wo.)US
Erstveröffentlichung: 16. September 1997
Verkäufe: 1.000.000
1999Fast as You Can
When the Pawn...
(2 Wo.)UK
Erstveröffentlichung: 20. November 1999

Weitere Singles

  • 1996: Shadowboxer
  • 1996: Slow Like Honey
  • 1997: The First Taste
  • 1997: Never Is a Promise
  • 1998: Across the Universe
  • 1998: Please Send Me Someone to Love
  • 2000: Limp
  • 2000: Paper Bag
  • 2003: Frosty the Snowman
  • 2005: O' Sailor
  • 2005: Parting Gift
  • 2006: Not About Love
  • 2006: Get Him Back
  • 2006: Sally’s Song
  • 2008: Angel Eyes
  • 2009: Why Try to Change Me Now
  • 2009: I Walk a Little Faster
  • 2012: Dull Tool
  • 2012: Every Single Night
  • 2013: Pure Imagination
  • 2014: Container
  • 2017: Tiny Hands (mit Michael Whalen)


Commons: Fiona Apple – Sammlung von Bildern, Videos und Audiodateien


  1. The Fabulous Maude Maggart. Abgerufen am 23. Februar 2023.
  2. a b Fiona Apple. In: Abgerufen am 23. Februar 2023.
  3. HIFISTATEMENT | netmagazine – Impressum. Abgerufen am 23. Februar 2023.
  4. Eintrag im Lexikon zur Rock- und Pop-Musik (Memento vom 24. Dezember 2015 im Internet Archive)
  5. Sullen Girl by Fiona Apple. In: Songfacts. Abgerufen am 23. Februar 2023 (englisch).
  6. Fiona Apple gewinnt den MTV Video Music Award 1997 in der Kategorie „Best New Artist“ (Memento vom 15. November 2009 im Internet Archive) (englisch), 1997
  7. Fiona Apple world is bullshit. In: YouTube. Abgerufen am 23. Februar 2023.
  8. Free Fiona. Abgerufen am 23. Februar 2023.
  9. Top 10 Everything of 2012 – Albums. In: Time. Abgerufen am 2. Mai 2017.
  10. The Idler Wheel... In: Metacritic. Abgerufen am 2. Mai 2017.
  11. Gil Kaufman: Fiona Apple Debuts Anti-Trump Song ‘Tiny Hands’ in Honor of Women’s March. In: Billboard. 18. Januar 2017, abgerufen am 2. Mai 2017 (englisch).
  12. Nach 8 Jahren ein neues Album: Fiona Apple veröffenlicht „Fetch The Bolt Cutters“. In: 13. Mai 2020, archiviert vom Original (nicht mehr online verfügbar) am 13. Mai 2020; abgerufen am 2. Juli 2021.
  13. Unmissverständliche Wut. Abgerufen am 23. Februar 2023.
  14. Fiona Apple Wins Best Alternative Music Album For 'Fetch the Bolt Cutters' | 2021 GRAMMY Awards Show. In: Abgerufen am 17. Juli 2023.
  15. a b Chartquellen: DE AT CH UK US
  16. Auszeichnungen für Musikverkäufe: US

Fiona Apple ¦ Extraordinary Machine
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