Garbage ¦ No Gods No Masters

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2021

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This article is about the Garbage album. For other uses, see No gods, no masters (disambiguation).

No Gods No Masters is the seventh studio album by American rock band Garbage. It was released on June 11, 2021, through the band's own label Stunvolume. The album was distributed worldwide by Infectious Music and BMG and preceded by the singles "The Men Who Rule the World", "No Gods No Masters" and "Wolves".[6]

"This is our seventh record, the significant numerology of which affected the DNA of its content: the seven virtues, the seven sorrows, and the seven deadly sins," singer Shirley Manson explained, describing No Gods No Masters as "a critique of the rise of capitalist short-sightedness, racism, sexism and misogyny across the world."[7]

Background and recording

In 2017, Garbage recorded and released a standalone digital single titled "No Horses", which the band hinted could be the direction their new material would sound.[8] Writing for Garbage's seventh album began in April 2018, following some preliminary work at Butch Vig's home studio, the band set up space in Palm Springs to write demos.[9] The quartet sketched out the skeleton of the album over two weeks, jamming, experimenting and feeling the songs out.[10] Work was paused in the latter half of 2018, as Garbage marked the twentieth anniversary of their second album Version 2.0 (1998) with the two-month 20 Years Paranoid tour, before reconvening in Los Angeles to finish the project.[10]

In mid-2019, drummer Butch Vig said they had about 35 jams at this point and about 7-8 of them were beginning to shape into songs.[11] Manson had described the material from the album writing sessions as "cinematic".[12] Vig remarked on musical references to Roxy Music and Talking Heads, while also noting that the album was quite eclectic, similar to 2001's Beautiful Garbage, in that each song has its own identity.[13] At first Vig thought the album would go in a more orchestral direction, however this changed when the music was developed further to match the intensity of Manson's vocal.[14] "It's certainly a different-sounding record than our last couple [of albums]. It has lots of guitars, lots of melodies and hooks. It's poppier than the last record," explained Manson, "We were very inspired by the weird, subversive pop of Roxy Music—that was kind of our muse. Not that it sounds anything like Roxy Music, but that was definitely something we thought about a lot."[15]

Recording work began in earnest from September until March 2020, when COVID-19 restrictions impacted after the final week of recording.[15] Various bass guitar parts were recorded by Eric Avery, Justin Meldal-Johnsen and Daniel Shulman, all of whom had recorded on previous Garbage albums. Finishing touches were applied via digital collaboration; the album was mixed throughout July 2020.[16] Final delivery of the album took place in September 2020.[17] No Gods No Masters is self-produced by Garbage, in collaboration with their long-time studio engineer and mixer Billy Bush.[18] The album was mastered by Heba Kadry.[19]

On March 30, 2021, Garbage announced the deluxe edition of the album would include a second disc featuring "No Horses" and other seven tracks, including collaborations with Screaming Females, Brian Aubert, Brody Dalle and punk band X, previously released from 2013 to 2018 on Record Store Day.[6] The bonus tracks on the deluxe edition were remastered by Heba Kadry, except "No Horses", "Starman" and "Destroying Angels" mastered by Joe Laporta, and "On Fire" and "Time Will Destroy Everything" mastered by Emily Lazar.[20]

Two outtakes from the album sessions, "Blue Betty" and "Adam and Eve", were released on April 22, 2023, on the Record Store Day vinyl exclusive Witness to Your Love EP.[21][22]

The album's title and its title track are named after the anarchist slogan "no gods, no masters" as a reaction to the frustration Manson felt having no power to speak up against "Trump's racism" and how "organized religion is responsible for [...] allowing other seats of power to get away with stomping on the rights of other human beings."[23] The cover of the album is a photograph taken in the Dean Cemetery, in Edinburgh, Scotland by Manson herself. Manson took a photograph of the statue of two sister angels and sent it to the band's graphic artist Ryan Corey, who edited one of the two angels out.[24]

Composition

Manson had written most of the lyrics for the album by the end of 2019, with a few finishing touches at the end of the sessions in February/March 2020.[13] As the album title suggests, many songs on the album deal with different aspects of the concept of power, referencing social injustice, racism, patriarchy and the disillusionment with organized religion, touching upon the Black Lives Matter and MeToo movements,[25] and also being fueled by the lack of empathy of white people towards protests for human rights happening all around the world.[26] Vig felt that Manson's lyrics were reflective of the current political period, describing them as "kind of dark and edgy"[13] and that the lyrics might not have been explicit and direct had they written the songs 10 or 15 years earlier.[14] Manson remarked how the lyrics seemed prescient of the sociopolitical shifts caused by the COVID-19 pandemic, which was posthumous to the writing of the album.[26]

The album opens with the lead single "The Men Who Rule the World", which according to Manson is an anti-racist, anti-capitalist and anti-patriarchal statement of intent.[23] Prior to the writing of the song, Manson had interviewed George Clinton for the second season of her podcast The Jump, and was inspired by his P-Funk Mothership concept, which is based on the idea of creating an alternative reality free of racism and hate.[27] Some of the lyrics were also inspired by the revolts of South American women who stood outside the government buildings "with their fists in the air, screaming [...] "you are the violator, we want to destroy you" kind of thing".[23]

"The Creeps" was developed from words Manson had written in 2009 describing when she was dropped as a solo artist by Interscope, not long after the dissolution of Garbage's deal with Geffen, but had tried for 12 years to use elsewhere.[27] The song deals with anxiety, insecurity and feelings of worthlessness and references an autobiographical episode where Manson was driving in Los Feliz Boulevard in Los Angeles and saw a life-sized poster of Garbage in a garage sale "for something like three bucks", which left her feeling ashamed and humiliated.[28]

Another personal track, "Uncomfortably Me", had been aided by overindulging in mezcal cocktails;[29] it mentions the hardships of being Scottish living in a foreign country and the difficulty Manson had to endure after the death of her mother.

Described as the album's "pop song" and referencing the Two Wolves legend, "Wolves" recalls the power of youth and the danger therein.[30] It was released as the album's third single.

Centrepiece track "Waiting for God" is about police shootings of Black people and the disbelief towards organized religion in the face of injustice and lack of empathy. The song was written long before the 2020 murder of George Floyd and was instead inspired by the 2012 killing of Trayvon Martin, a 17-year old boy who was shot walking home at night from a grocery store after engaging in a physical altercation with another man.[31]

"Godhead" examines the patriarchal structures at place in modern society.[32] Many critics and interviewers noted the influence of Depeche Mode on the sound of the track, a sentiment that Manson ascribed to them being a "touchstone" influence for Garbage and to the fact that the song was written around a drum machine loop with basic guitars and keyboards.[23]

The most Roxy Music-inspired track on the album, "Anonymous XXX", is lyrically based on Manson's own fascination with "the hidden and the secrets and the self-deception" driving people to casual sexual relationships.[33]

"A Woman Destroyed" started as an attempt to flip the narrative on what was happening with the MeToo movement, where Manson felt women were being victimized by the media. Inspired by the Persian movie A Girl Walks Home Alone at Night, by Ana Lily Amirpour, the song is "a cinematic fantasy of revenge.”[33]

Manson's podcast interview with Liz Phair inspired the vocals of "Flipping the Bird", where she deliberately pitched her vocal low like Phair.[29] The song's lyrics were inspired by the book Men Explain Things to Me by Rebecca Solnit and deal with episodes of mansplaining.[33]

Title track "No Gods No Masters" came from Manson seeing graffiti on heritage buildings in Santiago, Chile, when she visited during civil demonstrations (estallido social) for the making of the Peace Peace Now Now documentary.[34] The song reimagines a future society without corporate greed.[35] The first lyric of the song, "be kind", was made prominent in the album's booklet and used as slogan on the band's touring gear throughout the 2021-2022 tour dates.

"This City Will Kill You" began as Manson's love song to Los Angeles, but developed into something darker, an "elegy to loss and the past", which she believes is the most sophisticated song that she has ever written.[36]

Release and promotion

No Gods No Masters was announced on March 30, 2021, with pre-orders going live at the same time the audio and music video for "The Men Who Rule the World", directed by Chilean artist and director Javi Mi Amor, were released.[6] A second single, the title track, and its music video, directed by Scott Stuckey, were released digitally on April 28.[37] Third single and video "Wolves", also directed by Javi Mi Amor, was released on May 19.[30]

The album was released on CD and both white and neon green vinyl LP pressings, as well as a deluxe edition featuring a bonus disc of the band's standalone singles released between 2013 and 2018.[7] The deluxe edition was also made available digitally. A Record Store Day pink-vinyl pressing (with alternate cover art) was released in a limited edition run of 2,700 units.[7]

On June 10, Garbage performed "Wolves" on the Late Night with Seth Meyers show.[38] Over the summer, Garbage provided videos of live performances from the album recorded at Mates Rehearsal Studios in North Hollywood in May to Ouï FM,[39] Rolling Stone France,[40] iHeart Radio[41][42] and World Cafe.[43] On June 17, the music video of "The Creeps" premiered on the band's YouTube channel,[44] followed by the music video of "Anonymous XXX" on October 7.[45] Both videos were directed by Javi Mi Amor. To promote the album, Shirley Manson featured on the Australian Today show,[46] on The Project,[47] on FaceCulture,[48] on Entertainment Tonight Canada,[49] on Channel 4 News,[50] on Sunday Brunch,[51] and on Virgin Radio Italia.[52]

No Gods No Masters was supported in summer 2021 with an arena concert tour with Garbage as guests of Alanis Morissette.[18] The tour went on to become the most successful female-fronted tour of the year, selling more than 500,000 tickets.[53] On October 20, the 10-date UK Against the Odds Tour by Blondie featuring Garbage as special guest was announced for November.[54] However, the tour was later postponed to spring 2022, featuring Johnny Marr instead of Garbage as special guest due to scheduling conflicts.[55] On November 21, Tears for Fears announced the 21-date May-June 2022 United States wing of The Tipping Point World Tour featuring Garbage as special guest.[56] On March 9, 2022, Morissette announced her July 2022 tour dates celebrating 25 years of Jagged Little Pill, featuring Garbage as opening act in 10 of the 14 North American dates.[57] On April 14, Garbage announced a 7-date United States headline tour at the end of June supported by Glass Battles.[58][59] However, the last four dates of the tour were cancelled due to illness in the band.[60][61]

On September 7, Garbage revealed their third best-of compilation, Anthology, released on October 28; it includes three songs from No Gods No Masters remastered in 2022: "No Horses", "The Men Who Rule the World" and "No Gods No Masters".[62][63] On October 4, Garbage performed their James Bond theme "The World Is Not Enough" at the Royal Albert Hall in London with the Royal Philharmonic Orchestra as part of The Sound of 007 in Concert curated by composer David Arnold, marking the 60th anniversary of the Bond franchise.[64] On October 22, Garbage played at Audacy's 9th annual We Can Survive at the Hollywood Bowl in Los Angeles.[65]

On December 9, a music video for "Godhead" was uploaded to the band's YouTube channel.[66] It was presented to the band by long-time fan Eduardo Bernal Pérez.[67] In Summer 2023, Garbage embarked on a 25-date North American co-headline tour with Noel Gallagher's High Flying Birds, with support from Metric, followed by four Latin American tour dates in September.[68][69][70][71]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.2/10[72]
Metacritic77/100[73]
Review scores
SourceRating
AllMusic[74]
Clash8/10[75]
DIY[76]
Exclaim!4/5[77]
The Independent[78]
NME[79]
Pitchfork7.3/10[80]
Record Collector[81]
Rolling Stone[82]
Slant Magazine[83]

The album was generally well received by critics. At Metacritic, which assigns a weighted average score out of 100 to reviews and ratings from mainstream critics, the album has received a metascore of 77, based on 21 critic reviews.[73]

In his 4/5 review, Andrew Trendell of NME called No Gods No Masters the band's best album in 20 years,[84] a perception shared by other reviewers as well. Wall of Sound scored the album 8/10, revealing: "There will be those that will argue that this is an anti-male record, and that Garbage have gone too woke. But in reality, it's an anti-power record, and that power needs to be held to account."[85] In the review for AllMusic, Neil Z. Yeung called it "a highlight in their discography and one of their best works to date, a potent and outspoken dose of genre-blending artistry that confidently returns Garbage to their position as a band perpetually ahead of the curve."[74] Clash's Chloe Waterhouse claimed that the album "screams quintessential Garbage, maturing into the political elder sister of their 1995 debut", and that it "feels like listening to Garbage again for the very first time, which is a terrifically thrilling prospect."[75]

Reviewing the album for DIY, Ben Tipple described it as "[b]oth rhythmic and chaotic, it mirrors the frenetic turbulence of the times that have inspired it."[76] Comparing the release to Garbage's previous albums, Pitchfork's Alfred Soto declared it "Faster and friskier than expected, No Gods, No Masters is their strongest album since Version 2.0."[80] In Rolling Stone, Kory Grow stated that "for all of the group's abundant signature moves on No Gods No Masters, the record never feels like a nostalgia bid. That's because after 26 years, Garbage know who they are and are comfortable with themselves."[82]

The Independent's Roisin O'Connor assessed the level of creativity displayed on the album; "On No Gods No Masters, Garbage stretch beyond the gilded cage of their Nineties icon status to reach for something new – often, but not always, to effective ends."[78] In the review for American Songwriter, Hal Horowitz was more critical of the record; "The heightened level of fury and overall frustration about the state of society is admirable. Some might say there is not enough of it in today's music. But that needs to be balanced with songs which beckon you back for another listen, an aspect of the confrontational No Gods No Monsters [sic] that too often falls short."[86]

Track listing

All tracks are written by Shirley Manson, Duke Erikson, Steve Marker, and Butch Vig, except where noted

Standard edition
No.TitleLength
1."The Men Who Rule the World"4:27
2."The Creeps"3:33
3."Uncomfortably Me"3:16
4."Wolves"4:16
5."Waiting for God"4:04
6."Godhead"4:08
7."Anonymous XXX"4:07
8."A Woman Destroyed"5:32
9."Flipping the Bird"3:37
10."No Gods No Masters"4:31
11."This City Will Kill You"4:36
Total length:46:07
Deluxe edition bonus disc
No.TitleWriter(s)Length
1."No Horses" 5:23
2."Starman"David Bowie4:08
3."Girls Talk" (featuring Brody Dalle) 3:34
4."Because the Night" (featuring Screaming Females)
4:55
5."On Fire" 5:07
6."The Chemicals" (featuring Brian Aubert) 4:20
7."Destroying Angels" (featuring John Doe and Exene Cervenka)
  • Manson
  • Erikson
  • Marker
  • Vig
  • Doe
  • Cervenka
5:01
8."Time Will Destroy Everything" 4:44
Total length:37:12
LP side one
No.TitleLength
1."The Men Who Rule the World"4:27
2."The Creeps"3:33
3."Uncomfortably Me"3:16
4."Wolves"4:16
5."Anonymous XXX"4:07
6."Waiting for God"4:04
Total length:23:43
LP side two
No.TitleLength
1."Godhead"4:08
2."A Woman Destroyed"5:32
3."Flipping the Bird"3:37
4."No Gods No Masters"4:31
5."This City Will Kill You"4:36
Total length:22:24

Personnel

Garbage

  • Shirley Manson – vocals, keyboards, production, cover photo, band photo
  • Duke Erikson – guitar, keyboards, percussion, background vocals, production, band photo; piano (2.2), bass (2.4, 2.5, 2.8)
  • Steve Marker – bass, drum programming, drums, guitar, humming, keyboards, programming, background vocals, production, band photo
  • Butch Vig – drums, guitar, keyboards, background vocals, production, band photo

Additional musicians

Technical

Design

  • Ryan Corey – art direction, design

Charts

Chart performance for No Gods No Masters
Chart (2021)Peak
position
Australian Albums (ARIA)[87]5
Austrian Albums (Ö3 Austria)[88]13
Belgian Albums (Ultratop Flanders)[89]134
Belgian Albums (Ultratop Wallonia)[90]10
Dutch Albums (Album Top 100)[91]79
French Albums (SNEP)[92]40
German Albums (Offizielle Top 100)[93]6
Irish Albums (OCC)[94]42
Italian Albums (FIMI)[95]63
New Zealand Albums (RMNZ)[96]34
Portuguese Albums (AFP)[97]48
Scottish Albums (OCC)[98]2
Spanish Albums (PROMUSICAE)[99]35
Swiss Albums (Schweizer Hitparade)[100]13
UK Albums (OCC)[101]5
UK Independent Albums (OCC)[102]2
US Billboard 200[103]33
US Independent Albums (Billboard)[104]3
US Top Alternative Albums (Billboard)[105]3
US Top Rock Albums (Billboard)[106]5

Release history

Release dates and formats for No Gods No Masters
RegionDateLabelDistributorFormat(s)
Australia and New ZealandJune 11, 2021StunvolumeLiberator Music[10]
Various
United States and United KingdomJune 10, 2021

References

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  80. ^ a b Soto, Alfred (June 14, 2021). "Garbage: No Gods No Masters Album Review". Pitchfork. Retrieved June 15, 2021.
  81. ^ Curran, Shaun (28 June 2021). "Garbage | No Gods No Masters - Record Collector Magazine". Record Collector. Retrieved 16 April 2023.
  82. ^ a b "Garbage: Garbage Show the World Who's Boss on 'No Gods No Masters'". Rolling Stone. 11 June 2021. Retrieved June 12, 2021.
  83. ^ "Review: Garbage's No Gods No Masters Is a Brash Mix of the Personal and Political". Slant Magazine. 7 June 2021. Retrieved June 12, 2021.
  84. ^ "Garbage – 'No Gods No Masters' review: their best in 20 years (but could only be made now)". NME. 10 June 2021. Retrieved June 12, 2021.
  85. ^ "Garbage – No Gods No Masters (Album Review)". Wall of Sound. 2021-06-08. Retrieved 2021-06-08.
  86. ^ "Review: Shirley Manson Unleashes Pent Up Vitriol On Garbage's First Album In Five Years". American Songwriter. 8 June 2021. Retrieved June 8, 2021.
  87. ^ "Australiancharts.com – Garbage – No Gods No Masters". Hung Medien. Retrieved June 18, 2021.
  88. ^ "Austriancharts.at – Garbage – No Gods No Masters" (in German). Hung Medien. Retrieved June 22, 2021.
  89. ^ "Ultratop.be – Garbage – No Gods No Masters" (in Dutch). Hung Medien. Retrieved June 20, 2021.
  90. ^ "Ultratop.be – Garbage – No Gods No Masters" (in French). Hung Medien. Retrieved June 20, 2021.
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  95. ^ "Italiancharts.com – Garbage – No Gods No Masters". Hung Medien. Retrieved June 19, 2021.
  96. ^ "Charts.nz – Garbage – No Gods No Masters". Hung Medien. Retrieved June 19, 2021.
  97. ^ "Portuguesecharts.com – Garbage – No Gods No Masters". Hung Medien. Retrieved June 24, 2021.
  98. ^ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved June 19, 2021.
  99. ^ "Spanishcharts.com – Garbage – No Gods No Masters". Hung Medien. Retrieved June 24, 2021.
  100. ^ "Swisscharts.com – Garbage – No Gods No Masters". Hung Medien. Retrieved June 20, 2021.
  101. ^ "Official Albums Chart Top 100". Official Charts Company. Retrieved June 18, 2021.
  102. ^ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved June 19, 2021.
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  104. ^ "Garbage Chart History (Independent Albums)". Billboard. Retrieved June 22, 2021.
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  106. ^ "Garbage Chart History (Top Rock Albums)". Billboard. Retrieved June 22, 2021.
Quelle: https://en.wikipedia.org/wiki/No_Gods_No_Masters_(Garbage_album)

Artist(s)

Veröffentlichungen von Garbage die im OTRS erhältlich sind/waren:

No Gods No Masters ¦ Garbage ¦ Beautiful Garbage ¦ Anthology: 1995-2022 ¦ Bleed Like Me

Garbage auf Wikipedia (oder andere Quellen):

Garbage ist eine Rockgruppe aus Madison (Wisconsin) in den Vereinigten Staaten.

Garbage besteht aus dem Schlagzeuger Butch Vig, dem Gitarristen und Keyboarder Duke Erikson, dem Gitarristen Steve Marker und der Sängerin Shirley Manson. Zusätzlich wird die Gruppe seit ihrem zweiten Album (1998) von dem Bassisten Daniel Shulman begleitet, der jedoch kein offizielles Mitglied ist.

Bandgeschichte

Die Idee zu Garbage (dt. Abfall oder Müll) wurde aus der Musikgruppe Rectal Drip geboren, deren Mitglieder Butch Vig, Steve Marker und Duke Erikson waren. 1994 stieg Shirley Manson auf Anregung von Steve Marker mit ein, der zusammen mit Butch Vig durch einen Videoclip von Mansons damaliger Gruppe Angelfish bei MTVs 120 Minutes auf die Keyboarderin und Leadsängerin aufmerksam wurde.

Garbage (1995)

Zu einem Zeitpunkt, als der Grunge mit Kurt Cobain starb und Rock im Allgemeinen als tot galt, sorgte Garbages selbstbetiteltes Debütalbum für erhebliches Aufsehen, das in Deutschland über Mushroom Records erschien. Zunächst erreichte das Album in Neuseeland Goldstatus – am Ende verkaufte sich Garbage über fünf Millionen Mal. Die nach der wenig erfolgreichen ersten Single Vow aus dem Album ausgekoppelten Titel Stupid Girl, Only Happy When It Rains, Queer und Milk entwickelten sich zu internationalen Erfolgstiteln. Am erfolgreichsten wurde Stupid Girl, das in den britischen Singlecharts den Sprung auf Platz 4 schaffte und in den US-Billboard-Charts auf Platz 24 kam. Nachdem sich das öffentliche Interesse zunächst auf Butch Vig konzentrierte, der bereits als Produzent (u. a. für Nirvana) überaus erfolgreich war, trat schließlich Shirley Manson als rothaariger Vamp mit provokanten Äußerungen („I want a man who will let me pee in his belly button. I want a man to accept the beast in me.“ dt.: „Ich will einen Mann, der mich in seinen Bauchnabel pinkeln lässt. Ich will einen Mann, der das Tier in mir akzeptiert.“)[1] immer mehr in den Vordergrund. In Deutschland konnte Garbages Debütalbum zwar einen Achtungserfolg verbuchen, im Umfeld des damals vorherrschenden Euro-Pop galt die Gruppe jedoch eher als Geheimtipp.

Version 2.0 (1998)

1998 veröffentlichte Garbage ihr zweites Album Version 2.0, das in Deutschland Platz 4 der Albumcharts belegte. Mit zahlreichen Singleerfolgen wie Push it, I Think I'm Paranoid (belegte Platz 10 in den europäischen Charts) und The Trick is to keep breathing war Garbage in den europäischen wie auch den US-amerikanischen Charts erfolgreich. When I Grow Up konnte sich in Israel sogar auf Platz 1 positionieren. Außerdem wurden Garbage diverse Auszeichnungen verliehen, u. a. der MTV Music Award. Garbage tourte mit Gruppen wie den Smashing Pumpkins, den Fun Lovin’ Criminals und Radiohead. Im Dezember 1999 veröffentlichte Garbage die Single The World Is Not Enough, das Titellied zum gleichnamigen James-Bond-Film (deutscher Filmtitel: James Bond 007 – Die Welt ist nicht genug). Zu diesem Song existiert auch ein Musikvideo, in dem die Sängerin Shirley Manson, unabhängig von der Handlung des James-Bond-Films, als Killer-Roboter dargestellt wird. Durch Rechtsstreitigkeiten mit der Plattenfirma Mushroom erschien die Single über Radioactive Records. Sie erreichte in Deutschland Platz 35 der nationalen Verkaufscharts, Garbages bisher höchste Platzierung in Deutschland. In den Vereinigten Staaten und Großbritannien schaffte die Single den Sprung in die Top 20. Stücke von Garbage finden sich auch auf den Filmmusik-Alben zahlreicher Fernsehserien (Akte X, Buffy – Im Bann der Dämonen u. a.) und Filme (Romeo + Julia, The Faculty, An jedem verdammten Sonntag, Big Daddy u. a.) sowie in Videospielen (NHL 2000, Gran Turismo).

Beautifulgarbage (2001)

Nach einer Brustkrebserkrankung, von der sich Frontfrau Shirley Manson jedoch gut erholte, veröffentlichte Garbage im Jahr 2001 ihr drittes Studioalbum Beautifulgarbage. Das Album stieg auf Platz 8 der deutschen Albumcharts ein. Garbage präsentierte auf ihrem dritten Album einen ungewohnten Klang, mit Anleihen aus den 1960er-Jahren. Für den europäischen Vertrieb war die belgische Plattenfirma Play It Again Sam (PIAS Records) zuständig. Trotz großem Werbeaufwand und einigen Auftritten als Vorgruppe von U2 konnte der Erfolg von Version 2.0 allerdings nicht wiederholt werden. Große Teile der Tour zu Beautifulgarbage fanden ohne Butch Vig statt, der krankheitsbedingt durch Matt Chamberlain ersetzt wurde (Studiomusiker u. a. für Tori Amos und Pearl Jam und auch auf Beautifulgarbage präsent).

Bleed Like Me (2005)

Garbages viertes Album Bleed Like Me erschien im April 2005 und wurde mit Einzelauftritten in den Vereinigten Staaten und Europa beworben. Die erste Singleauskopplung des neuen Werks, Why Do You Love Me, erschien Ende März. Sowohl Album als auch Single konnten sich in den Top 10 der britischen Charts platzieren. Musikalisch wurde eine gegenüber dem Vorgänger deutlich gitarrenlastigere Richtung eingeschlagen; der Zuspruch der Kritiker wie der Käufer blieb jedoch weitgehend aus, es wurde – wie bereits bei Beautifulgarbage zuvor – häufig von einem zu kalkuliert und glatt klingenden Album gesprochen.

Ende März 2005 begab sich Garbage auf Tour, um Bleed Like Me zu bewerben. Ende August gab man auf der offiziellen Internetpräsenz überraschend die ersatzlose Absage der für Oktober angesetzten Tourdaten in Frankreich, Großbritannien und Belgien bekannt. Die Tour endete somit bereits am 1. Oktober 2005 in Perth.

Auflösungsgerüchte

Als Begründung für die Absage wurde angegeben, dass man durch das anstrengende Tourleben erschöpft sei. Nach erst sechs Monaten mit insgesamt 65 Konzerten erschien dies angesichts der Touren anderer Gruppen merkwürdig, was zu Auflösungsgerüchten um Garbage führte, zumal Produzent und Schlagzeuger Butch Vig bereits ab der Bekanntgabe aus der Tour ausstieg. Sängerin Shirley Manson räumte in Interviews eine kurze Trennung während der Aufnahmen zu Bleed Like Me ein und hielt es für unwahrscheinlich, dass Garbage weitere vier Alben produzieren würde.

Um den Auflösungsgerüchten entgegenzutreten, veröffentlichte sie Ende September 2006 auf ihrer offiziellen Website eine Klarstellung[2]: „We are NOT breaking up. However, we ARE taking some much-deserved time off to spend with our families and friends. How much time? We don’t know.“ („Wir werden uns NICHT auflösen. Wie dem auch sei, wir NEHMEN uns mehr Zeit für unsere Familien und Freunde. Wieviel Zeit? Wir wissen es nicht.“)

Absolute Garbage (2007)

Im Juli 2007 erschien das Best-of-Album Absolute Garbage, das mit Tell Me Where It Hurts einen neuen Song enthielt.[3] Der Titel wurde als Limited Edition weltweit mit diversen Remixen veröffentlicht.

Die längere Pause von Garbage nutzte Shirley Manson dazu, Material für ein erstes Soloalbum fertigzustellen,[4] das allerdings nicht veröffentlicht wurde, da es infolge künstlerischer Diskrepanzen zwischen Manson und ihrer Plattenfirma Geffen Records zur Vertragsauflösung kam.[5] Drei Titel daraus veröffentlichte sie schließlich auf ihrer eigenen Facebook-Seite.

Not Your Kind of People (2012)

Das Album Not Your Kind of People ist am 11. Mai 2012 in verschiedenen Ausführungen – einer Standard- und einer Deluxe-CD-Edition, als Download sowie auf Vinyl – auf dem Band-eigenen Label Stunvolume Records erschienen.[6] Das Album wurde mit Tourneen durch Amerika und Europa vorgestellt. In Deutschland trat Garbage 2012 beim Hurricane Festival auf.[7]

Strange Little Birds (2016)

Am 10. Juni 2016 wurde das sechste Studioalbum Strange Little Birds veröffentlicht.

No Gods No Masters (2021)

Am 11. Juni 2021 wurde das siebte Studioalbum No Gods No Masters veröffentlicht.

Anthology (2022)

Am 28. November 2022 wurde das achte Studioalbum Anthology veröffentlicht. Bei diesem Album handelt es sich um ein sog. Best-Of mit einer Zusammenstellung bereits veröffentlichter Titel.[8]

Mitglieder

Shirley Manson

Shirley Ann Manson wurde am 26. August 1966 in Edinburgh, Schottland, als mittlere von drei Töchtern einer Big-Band-Sängerin und eines Professors für Tierzüchtung geboren. Durch ihre Mutter begann sie schon früh, sich für Musik zu interessieren, doch eine musikalische Karriere schien ihr alles andere als vorbestimmt zu sein. Vielmehr überschatteten traumatische Ereignisse die jungen Jahre des späteren Stars. Nach Zwischenspielen in verschiedenen schottischen Musikgruppen (zuletzt Angelfish) fand sie über eine MTV-Ausstrahlung eines Videos mit ihr zu Garbage.

Die Schaffenspause von Garbage nutzte sie Anfang 2007 für Arbeiten an ihrem ersten Soloalbum, an dem u. a. Billy Corgan und Jack White mitarbeiten.[4]

Butch Vig wurde am 2. August 1957 in Viroqua, Vernon County, Wisconsin, den Vereinigten Staaten geboren (sein richtiger Name lautet Brian Viggerson) und gilt in der Medienöffentlichkeit als Mastermind Garbages.

Außerdem produzierte er neben den Garbage-Aufnahmen auch das 1991 erschienene Album Nevermind von Nirvana sowie die ersten beiden Alben der Smashing Pumpkins und Alben vieler anderer namhafter Rockgruppen der frühen 1990er-Jahre, darunter Sonic Youth, Helmet und Soul Asylum. Dadurch hatte er einen nicht unerheblichen Einfluss auf das Musikgeschehen, der bis heute andauert. Zusammen mit Steve Marker gründete Butch Vig die Smart Studios.

Douglas „Duke“ Erikson wurde am 15. Januar 1953 in Nebraska, Vereinigte Staaten geboren. Bereits mit 16 Jahren gründete er seine erste Musikgruppe, „The British“. Erikson studierte Kunstgeschichte und finanzierte sich sein Studium über zahlreiche Nebentätigkeiten wie Tischler oder Lastwagenfahrer. Duke ist ledig und Vater einer inzwischen volljährigen Tochter. 1987 gründeten Duke und Butch, wiederum mit Phil Davis als Sänger, die Gruppe „Firetown“. Firetown veröffentlichten in sehr kurzer Zeitspanne zwei Alben und sechs Singles, zu Carry the Torch existiert sogar ein Musikvideo. Doch schon 1989 trennten sie sich und es kam zur Wiedervereinigung von Spooner. Ein weiteres Album (Fugitive Dance) sowie eine dazugehörige Single erschienen, bevor sich die Gruppe 1993 endgültig trennte.

Steve Marker wurde am 12. März 1960 in Mamaroneck, Westchester County, New York, Vereinigte Staaten geboren und studierte ebenfalls Kunst und Kommunikation. Steve ist verheiratet und hat eine Tochter. Vor seinem Einstieg bei „First Person“ spielte er in einer Gruppe namens „The Flying Saucers“. Auch Steve tat sich durch seine Produzententätigkeit u. a. für Public Enemy hervor. Vig, Marker und Erikson schufen sich rasch einen Ruf als begehrte Produzenten und Remixer (u. a. für Depeche Mode, Nine Inch Nails, House of Pain oder U2) und betrieben nebenher eine Punkgruppe namens Rectal Drip, was allerdings nichts weiter als eine Art Hobby war. Dennoch wurde ein zehn Titel umfassendes Band aufgenommen (davon existieren nur etwa 500 Kopien), auf dem sich Butch Vig als Sänger versuchte.

Diskografie

Studioalben

JahrTitelHöchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen[9]
(Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen)		Anmerkungen
 DE AT CH UK US
1995GarbageDE55
(18 Wo.)DE		——UK6
Doppelplatin
×2
Doppelplatin

(132 Wo.)UK		US20
Doppelplatin
×2
Doppelplatin

(81 Wo.)US
Erstveröffentlichung: 15. August 1995
1998Version 2.0DE4
(26 Wo.)DE		AT4
(16 Wo.)AT		CH17
(16 Wo.)CH		UK1
Doppelplatin
×2
Doppelplatin

(78 Wo.)UK		US13
Platin
Platin

(70 Wo.)US
Erstveröffentlichung: 11. Mai 1998
2001Beautiful GarbageDE6
(8 Wo.)DE		AT9
(8 Wo.)AT		CH10
(7 Wo.)CH		UK6
Gold
Gold

(8 Wo.)UK		US13
(8 Wo.)US
Erstveröffentlichung: 1. Oktober 2001
2005Bleed Like MeDE12
(6 Wo.)DE		AT17
(6 Wo.)AT		CH15
(11 Wo.)CH		UK4
Silber
Silber

(6 Wo.)UK		US4
(11 Wo.)US
Erstveröffentlichung: 11. April 2005
2012Not Your Kind of PeopleDE15
(3 Wo.)DE		AT39
(1 Wo.)AT		CH15
(3 Wo.)CH		UK10
(3 Wo.)UK		US13
(7 Wo.)US
Erstveröffentlichung: 11. Mai 2012
2016Strange Little BirdsDE22
(2 Wo.)DE		AT17
(2 Wo.)AT		CH16
(3 Wo.)CH		UK17
(1 Wo.)UK		US14
(2 Wo.)US
Erstveröffentlichung: 10. Juni 2016
2021No Gods No MastersDE6
(2 Wo.)DE		AT13
(1 Wo.)AT		CH13
(2 Wo.)CH		UK5
(1 Wo.)UK		US33
(1 Wo.)US
Erstveröffentlichung: 11. Juni 2021

Quellen

  1. ↑ Archivlink (Memento des Originals vom 9. September 2005 im Internet Archive)  Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.@1@2Vorlage:Webachiv/IABot/www.garbage.net
  2. ↑ Archivlink (Memento desOriginals vom 10. Februar 2008 im Internet Archive)  Info: Der Archivlink wurde automatisch eingesetzt und noch nicht geprüft. Bitte prüfe Original- und Archivlink gemäß Anleitung und entferne dann diesen Hinweis.@1@2Vorlage:Webachiv/IABot/www.garbage.com
  3. ↑ Garbage-Biografie bei laut.de
  4. ↑ a b Christian Wiensgol: Shirley Manson solo: Workaholics unter sich. Visions.de, 17. November 2006, abgerufen am 7. Dezember 2010.
  5. ↑ Shirley Manson: Rock Star Terminator. SuicideGirls.com, 12. November 2008, abgerufen am 14. März 2012.
  6. ↑ Not Your Kind Of People. laut.de, abgerufen am 11. Mai 2012.
  7. ↑ Line-up – Hurricane Festival. Hurricane.de, abgerufen am 18. Januar 2012.
  8. ↑ GARBAGE Anthology. In: Der Vinylist. 26. Oktober 2022, abgerufen am 2. November 2022 (deutsch).
  9. ↑ Chartquellen: DE AT CH UK US

Weblinks

Commons: Garbage – Album mit Bildern, Videos und Audiodateien
Musik der James-Bond-Filmreihe


Filmkomponisten

Monty Norman (1962) • John Barry (1963–1987 mit Unterbrechungen) • George Martin (1973) • Marvin Hamlisch (1977) • Bill Conti (1981) • Michael Kamen (1989) • Éric Serra (1995) • David Arnold (1997–2008) • Thomas Newman (2012; 2015) • Hans Zimmer (2021)

Titelmusik

John Barry Orchestra – The James Bond Theme • Matt Monro – From Russia with Love • Shirley Bassey – Goldfinger • Tom Jones – Thunderball • Nancy Sinatra – You Only Live Twice • John Barry Orchestra – On Her Majesty’s Secret Service • Louis Armstrong – We Have All the Time in the World • Shirley Bassey – Diamonds Are Forever • Paul McCartney & Wings – Live and Let Die • Lulu – The Man with the Golden Gun • Carly Simon – Nobody Does It Better • Shirley Bassey – Moonraker • Sheena Easton – For Your Eyes Only • Rita Coolidge – All Time High • Duran Duran – A View to a Kill • a-ha – The Living Daylights • Gladys Knight – Licence to Kill • Tina Turner – GoldenEye • Sheryl Crow – Tomorrow Never Dies • Garbage – The World Is Not Enough • Madonna – Die Another Day • Chris Cornell – You Know My Name • Jack White & Alicia Keys – Another Way to Die • Adele – Skyfall • Sam Smith – Writing’s on the Wall • Billie Eilish – No Time to Die

Quelle: https://de.wikipedia.org/wiki/Garbage

Same artist(s), but different album(s)...

Garbage ¦ No Gods No Masters
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