Gorillaz ¦ Humanz

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Veröffentlichung Humanz:

2017

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Humanz is the fifth studio album by British virtual band Gorillaz. It was released on 28 April 2017 in the United Kingdom by Parlophone and in the United States by Warner Bros. Records.[7][8] The album was announced on the band's official Instagram page on 23 March 2017.[9] According to a press release, it was recorded in London, Paris, New York City, Chicago, and Jamaica, and was produced by The Twilite Tone and Remi Kabaka Jr.[10] It was the band's first studio album since 2010's The Fall, and features collaborations with Jehnny Beth, Grace Jones, Kali Uchis, Vince Staples, Popcaan, D.R.A.M., Anthony Hamilton, De La Soul, Danny Brown, Kelela, Mavis Staples, Pusha T, and Benjamin Clementine.

Humanz debuted at number two on the UK Albums Chart and the US Billboard 200, selling over 140,000 copies in its first week of sales.[11] It also debuted at number one in Austria[12] and Switzerland,[13] and at number three in Belgium.[14] The album was nominated for the Grammy Award for Best Alternative Music Album at the 60th Annual Grammy Awards, losing to The National's Sleep Well Beast.[15] Humanz reached the top 10 on the Albums chart in 23 countries.

Background

After the release of their 2010 album The Fall, rumours began to circulate on the internet that Gorillaz creators Damon Albarn and Jamie Hewlett had fallen out, and that this had led to the band split; People subsequently reported this to be true.[16] Representatives for the band denied the rumours in a statement to Pitchfork.[17] Gorillaz released a single with James Murphy and André 3000 commissioned by Converse, titled "DoYaThing", on 23 February 2012. In April 2012, in an interview with The Guardian, Albarn stated that Gorillaz were "unlikely" to release new music, citing Hewlett's dissatisfaction that his animation had become less central to the band and their performances.[18] In June 2013, Hewlett said that he "believe[s] there is a future for the Gorillaz. But Gorillaz is quite a complicated and expensive thing to produce. So, I think we need to wait a little bit to see what happens because usually in the music industry everything changes."[19]

On 25 April 2014, Albarn released the solo album Everyday Robots. Hewlett revealed that he and Albarn decided to revive Gorillaz after Albarn had played a gig, stating: "...we were at a party afterwards. We'd had a bit to drink, and he said, 'Do you want to do another one?' And I said, 'Do you?' and he said, 'Do you?' And I said, 'Yeah, sure.' I started work on it straight away, learning to draw the characters again. I played around by myself for eight months while he was performing with Blur in 2015."[20] In October 2014, Albarn was said to be "in the process of reactivating Gorillaz for a 2016 release."[21] In an Instagram post on 30 January 2015, Hewlett posted new drawings of fictional band members Murdoc and Noodle. He also responded to a fan's query by stating, "Yes Gorillaz Returns."[22] Albarn's band Blur released their eighth studio album The Magic Whip on 27 April 2015. Before Blur's tour in support of The Magic Whip, Albarn said, "I'm starting recording in September for a new Gorillaz record."[23] On 19 January 2017, Gorillaz released the first track from the album, "Hallelujah Money" featuring Benjamin Clementine, accompanied by a music video as a non-commercial single on Uproxx's YouTube channel.

[24][25][26]

Recording

Prior to studio recording, Albarn made use of iPad applications such as GarageBand to create the framework for each song. Albarn had previously utilised his iPad as an audio workstation for The Fall, touting its convenience over the 4-Track recorder he'd previously used for preliminary music production.[27]

To guide collaborators into the "dark fantasy" setting that Albarn envisioned for Humanz, Albarn instructed guest artists to imagine a future in which Donald Trump had won the 2016 United States presidential election. As recording for Humanz began well before Trump had secured the Republican presidential nomination, much less the presidency, the possibility of a Trump presidency was still considered remote by many; collaborator Pusha T (who recorded his contribution in early 2016) later commented on Albarn's inadvertent foresight, saying: "I wrote from the perspective of this day, I was writing from the perspective of a Trump win. When this really happened, I was like 'Wait a minute, what type of crystal ball did this guy have? Why are you even asking me to think along these lines?' I don't think he thought that [Trump] would win, I'm not gonna go that far, but he definitely conceptualized this whole thing."[28] In April 2016, Hewlett uploaded two video clips onto his Instagram showing the continued work on the album. The first clip featured Liam Bailey and the Twilite Tone. The second clip was a time-lapse video featuring Albarn, Remi Kabaka Jr, the Twilite Tone and Jean-Michel Jarre.[29][30][31] On 17 May 2016, Gorillaz were in the studio with Chicago-based hip hop artist Vic Mensa, although Bailey and Mensa's contributions were ultimately left off of the finished album.[32][33][34][35]

Jamaican singer and supermodel Grace Jones, one of the many collaborators on the album, features on the song "Charger". The song was a result of hours of ad-libbing over an instrumental.[36]

In an interview with Q magazine, Albarn revealed that he reached out to collaborate with a number of different artists, many of whom turned him down, including English musician Morrissey, Dionne Warwick – who was unwilling to collaborate as some lyrics on the record conflicted with her religious views, singer Sade, and American rapper Rick Ross.[37][38][39] Albarn also revealed in an interview with Song Exploder, that the song "Andromeda", featured a more prominent role for rapper D.R.A.M and at one point, featured contributions from Rag'n'Bone Man (which was ultimately discarded) and with French singer-songwriter Christine and the Queens, which was also unsuccessful.[40][41] The group also reportedly recorded with Erykah Badu, whom Albarn had previously worked with on his Rocket Juice & the Moon project.[42] The song "Charger" with Grace Jones was a result of Jones singing over the song's instrumental for four hours, ad-libbing and vibing to it. Overwhelmed by the length of the vocals recorded, Albarn had his studio floor covered in cut up pieces of paper with everything Jones had recorded, finding the fragments that worked and eventually crafting the song from there. A photo of this was also uploaded to Kabaka's Instagram, with the album's other executive producer the Twilite Tone, attempting to place the lyrics in an order for the song. Albarn also revealed that an unnamed collaborator's original vocals were removed from the song, so as to accommodate Jones' vocals.[36][43][44] Album recording engineer Stephen Sedgwick's final mix session of "Charger" contains 90 separate tracks.[45]

"We Got the Power" features guest vocals from Jehnny Beth, the lead singer of the British rock band Savages, as well as backing vocals from American rapper D.R.A.M and English singer Noel Gallagher. Albarn welcomed the arrival of Beth as the album was meant to be "a series of conversations between men and women". He hailed her performance, saying: "She sounds like herself, but there are also strong echoes of Siouxsie Sioux. She's brilliant."[20] The song is a particular landmark for Albarn and Gallagher, after their public dislike of each other during what was dubbed by the media as "The Battle of Britpop" in the 1990s. At one point, the song featured backing vocals from Albarn's Blur bandmate Graham Coxon, however his vocals were removed from the final version of the song.[46][47] "At one point this song had Graham, Noel and me on it and it was sort of heading slightly in the wrong direction. It was becoming almost retro in its sort of spirit and way too rocky for this record so I kind of stripped it right back down again. We play it slightly different live than how it is on the record. It's sort of the song that comes on during the final titles of a film. The climax. I thought Jehnny would take a bit of the testosterone off", Albarn said in an interview with Radio X. He also spoke of working with Gallagher for the first time, which Albarn was very complimentary: "He's fantastic in the studio. It's nice when you see how someone goes about their business. He's great". The song itself started after Albarn was given a Casio MT-40 for his birthday and he began composing the barebones of a demo, which was later fleshed out to become "We Got the Power". The idea to include Jehnny Beth came about after XL Recordings founder Richard Russell said that Gallagher and Albarn "were two rich middle-aged men singing about having the power, which is not a good look". Beth wrote her own lyrics to be included on the song as well as the lyrics that Albarn and Gallagher had also written.[20][48][49][50]

Noel Gallagher performing live in 2012. Gallagher's appearance on the song "We Got The Power" was an important feat for him and Albarn, as Albarn's previous project Blur and Gallagher's Oasis had participated on a conflict dubbed by "The Battle of Britpop", where they mutually insulted and competed against each other.

"Andromeda", the album's fourth single, was dedicated to Ethel, the mother of Albarn's longtime partner Suzi Winstanley, who died while Albarn was writing the song. Ethel's death reminded Albarn of Bobby Womack, who had appeared on the group's single "Stylo" and "Cloud of Unknowing" from their album Plastic Beach and appeared on the song "Bobby in Phoenix" from The Fall. Albarn and Russell had also produced Womack's comeback album The Bravest Man in the Universe, prior to Womack's death in June 2014. The sentimentality Albarn felt for lost family and friends was instrumental in the creation of "Andromeda", with Albarn commenting on the song's message: "Take the worst possible outcome, be brave, and remember all the goodness that preceded that... all the beauty that preceded that."[51] Albarn also stated that after a conversation with producer the Twilite Tone, he tried to evoke the sound of Michael Jackson's 1983 single "Billie Jean" from his iconic Thriller album and Hall & Oates' single "I Can't Go for That (No Can Do)", from their album Private Eyes. Twilite Tone produced the song, while Albarn took care of lyrics. The song features D.R.A.M, who originally had a more prominent feature on the song, with a full chorus and verse, however, Albarn stripped the vocals back as the song felt more complete. At one point, the song's name was "I Can't Go for Billie Jean", as a reference to the aforementioned Michael Jackson song and Hall and Oates' song.[51]

De La Soul had previously appeared on Gorillaz previous albums Demon Days and Plastic Beach on the songs "Feel Good Inc." and "Superfast Jellyfish" respectively, and appear on the album's fifth track "Momentz". Albarn revealed that the song was initially supposed to feature American stand-up comedian and actor Dave Chappelle, however, he became convinced after chatting to De La Soul member, Posdnuos. "I didn't hear De La Soul for that. Posdnous shows up. He said, 'I want to do something.' We were trying to get Dave Chappelle to do that. But he knows Pos, and somehow, that's how that happened."[44]

Albarn revealed that there would be alternate versions of songs that would be released, one included an extended version of "Andromeda" with rapper D.R.A.M. and a Middle-Eastern version of "Busted and Blue", which was discovered to feature Syrian musician Faia Younan, who had previously collaborated with Albarn on the Africa Express project The Orchestra of Syrian Musicians and Guests, on which she was featured on the song "Yah Mahla El Fus'ha".[52] While alternate versions of songs also exists, there are also songs that did not make the album, which were registered online by the group, which revealed that the band had collaborated further with Sidiki Diabaté, Little Simz and Azekel (who has backing vocals on the song "Momentz").[53][54] These songs were eventually released as the bonus tracks of the "Super Deluxe" edition of Humanz which was released on 3 November 2017.[55]

In an interview with Sound on Sound, recording engineer Stephen Sedgwick and executive producer the Twilite Tone revealed some more of the stories behind the songs on the record. Such as the song "Strobelite", which came from an initial drum pattern made by Albarn on a SEIKO drum machine watch. While the drum pattern was being recorded, the production team were having a conversation, which ended up being recorded and was kept on the final track. The Anthony Hamilton-featuring "Carnival" originated from Albarn's experiences of visiting a carnival in Trinidad and Tobago, which inspired Hamilton in both his lyrics and vocal performance, while song and title "Sex Murder Party" came from a newspaper headline that Twilite Tone and Albarn read, which prompted the song's creation.[45]

While promoting the album Merrie Land by the Good, the Bad & the Queen, Albarn revealed that he had reached out to singer Morrissey, from the Smiths, to appear on the song "Circle of Friendz", which ended up as a bonus track on the album's deluxe edition featuring Brandon Markell Holmes, but was unable to convince him to appear on the song.[56]

Themes

Albarn has said that with Humanz he set out to create something not overtly political, but "an emotional response to politics".[57] The album's overarching theme is the emotional aftermath of an unexpected world-changing event. Albarn removed all references to Donald Trump on the album, saying "There's no references to [Trump] on the record – in fact, any time when anyone made any reference, I edited it out. I don't want to give the most famous man on earth any more fame, particularly. He doesn't need it!"[58] There is however, a bonus track called "The Apprentice", referencing his former reality show. At one point, the album was titled Transformerz, although this was later abandoned, for fear of confusion with the film series of the same name.[36]

Albarn was honoured at the Ivor Novello Awards where he picked up the lifetime achievement award for his work with Blur, Gorillaz, The Good, the Bad & the Queen, as well as his myriad of soundtracks and other work. During his acceptance speech, he spoke out about his love of the band Simple Minds and how they may be shaping the new Gorillaz record: "From someone who grew up in Leytonstone, it was a culture shock to say the least. Anyway, we were in this band and we had a guitarist who was an Edge from U2 obsessive, but we had a more kind of loose bass player who was really Simple Minds. Graham and me were a bit kind of more mercurial about what we like and what we don't like, but they were more adamant. Looking back at it now, I loved pretending that I was in U2, but I just think that Simple Minds were cooler. "Promised You a Miracle" – I listened to it when I started doing this new Gorillaz record and it just blew my mind, and it blew everyone who I was working with's mind. They hadn't even heard of Simple Minds, and they loved it – so that's testament to it being incredible."[59][60][61]

Release and promotion

Main article: Humanz Tour

On 6 March 2017, Gorillaz announced they were headlining their own festival called "Demon Dayz" at Margate, England. It took place on 10 June at the Dreamland amusement park, with free access to rides, and was also broadcast live, via Red Bull TV. The tickets were put on sale in the morning of 10 March, at 9:00am, and they sold out hours later.[62] The festival was revealed to feature a number of collaborators from the album and other musicians that influenced the band, such as Vince Staples, De La Soul, Fufanu, Danny Brown, Little Simz, Kali Uchis, Popcaan and Kilo Kish.[63]

On 23 March 2017, four new songs were premiered on various radio stations: "Saturnz Barz" and "Andromeda" on BBC Radio 1, "We Got the Power" on Radio X, and "Ascension" on Beats 1.[64] The same day, all four songs were released for download, and a 360 Virtual Reality music video for "Saturnz Barz" was released in partnership with YouTube,[65] being the first music video featuring the Gorillaz characters since 2012's "DoYaThing".

The same day, Gorillaz redesigned their website and announced a secret live concert at Printworks Nightclub, London, on the evening of 24 March 2017, featuring the first full performance of the album, and made a livestream on their Facebook page at the event.[66]

The fifth single "Let Me Out", featuring Mavis Staples and Pusha T, was released on 6 April 2017.[67]

A Gorillaz-themed augmented reality app created in collaboration with Electronic Beats was released on 10 April 2017, in which users interact with the band members, tour the studios, and listen to playlists made by the members.[68] The next day, Gorillaz announced that the app would also be used to host the "Humanz House Party", a listening event touted as the "largest ever geo-specific listening experience". It took place on 21 April through 23, a week before the album release, and allowed fans to be the first to hear the new album in full.[69] At the same time, Jamie Hewlett revealed in an interview with Q magazine that a 10-episode Gorillaz TV show was in the works.[70]

On 17 April 2017, the Humanz Tour was formally announced on the band's official website, with concerts in Europe, Asia, North and South America. A copy of the album was included with a ticket purchase.[71]

On 31 October 2017, "Garage Palace" featuring Little Simz was released as a single from the "Super Deluxe" Edition of Humanz, which includes 14 additional songs and was released on 3 November 2017.[55]

Reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.4/10[72]
Metacritic77/100[73]
Review scores
SourceRating
AllMusic[4]
The A.V. ClubB[74]
The Daily Telegraph[75]
The Guardian[76]
The Independent[77]
NME[78]
Pitchfork6.9/10[79]
Q[80]
Rolling Stone[81]
Uncut7/10[82]

Humanz received generally positive reviews from critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 77, based on 32 reviews.[73] Common points of praise from reviewers pertain to the album's political themes, as well as its dark, yet playful "party" sound. Josh Gray of Clash felt that the band had "created their most youthful album yet; a vibrant record which paints a picture of the near future so vivid it seems convincingly real."[83] Kenneth Partridge from Paste gave it an 8.5 rating and wrote "The result: the most vibrant, consistently engaging Gorillaz album yet".[84] Writing for Exclaim!, Cam Lindsay posited that despite the album lacking any "Apple-friendly jingles", it "makes up for it with palatably overarching political themes and sequencing that gives it the wildly entertaining feel of a circus show."[85] Stephen Thomas Erlewine of AllMusic gave the album 4/5 stars (which he would later change to 3.5/5) and stated that he thought of it as more wild and unruly than the band's 2010 album, Plastic Beach, due to the bigger focus on individual tracks as opposed to an overarching concept. He also noted that despite the album's very heavy R&B vibe and political undercurrent, he felt the album overall was "strangely uplifting, as if every musician who entered the studio found solace in the act of creation."[4]

Niall Doherty of Q magazine pointed out Albarn's diminished vocal influence on the album compared to the two albums he had been involved with prior, Everyday Robots and The Magic Whip, concluding the review with "What Humanz lacks in memorable hooks, it makes up for in fist-clenching spirit – and 'We Got The Power' sums that up best. A defiant anthem featuring a thrilling turn from Savages' singer Jehnny Beth, it ensures an album about wading through the dark days ends on a triumphant note."[80] Some reviewers overall felt that much of the band itself and its "cartoon image" fell to the wayside in the wake of its many collaborators. Consequence of Sound writer Nina Corcoran gave Humanz a B− grade, stating "In the end, Humanz structures itself like we’re watching Gorillaz host a party in a trendy club, all while the world burns. By positioning its four digital members just outside of the line of vision, though, it feels like an outlier in the band's catalog — which isn't necessarily a bad thing."[86]

The structure of the album has had some critics draw comparisons to Drake's More Life.[76][80] In terms of the album structure, critics have been more mixed. In a generally positive review, Alexis Petridis of The Guardian acknowledged the album as a "scattershot collection of tracks, rather than a coherent album."[76] Record Collector thought of it both as a flaw but also its strength, stating that "the album throws it all at you in one gloriously delirious barrage that has no real anchor."[87] Will Hermes of Rolling Stone wrote "If it's an uneven LP, it's fairly brilliant by mixtape standards, which may be the best way to measure it."[81]

The album earned the band the award for British group at the Brit Awards 2018.[88]

Accolades

PublicationAccoladeYearRankRef.
NMENME's Albums of the Year 2017
2017
18
[89]
Q MagazineQ Awards Best Album 2017
2017
1
[90]

Commercial performance

In the United Kingdom, the album debuted at number two on the UK Albums Chart.[91]

In the United States, Humanz debuted at number two on the US Billboard 200 behind Kendrick Lamar's Damn, with 140,000 album-equivalent units, of which 115,000 were pure album sales.[92] It serves as Gorillaz's fourth top-ten album in the United States.[92]

Track listing

Adapted from liner notes:[93]

Humanz - Standard edition
No.TitleWriter(s)Length
1."Intro: I Switched My Robot Off" 0:24
2."Ascension" (featuring Vince Staples)
  • Gorillaz
  • V. Staples
2:35
3."Strobelite" (featuring Peven Everett)
  • Gorillaz
  • Everett
4:32
4."Saturnz Barz" (featuring Popcaan)
3:01
5."Momentz" (featuring De La Soul)
3:16
6."Interlude: The Non-Conformist Oath" 0:21
7."Submission" (featuring Danny Brown and Kelela)
3:21
8."Charger" (featuring Grace Jones)
  • Gorillaz
  • Jones
3:34
9."Interlude: Elevator Going Up" 0:04
10."Andromeda" (featuring D.R.A.M.)
3:17
11."Busted and Blue"Gorillaz4:37
12."Interlude: Talk Radio" 0:19
13."Carnival" (featuring Anthony Hamilton)
  • Gorillaz
  • Hamilton
2:15
14."Let Me Out" (featuring Mavis Staples and Pusha T)
2:55
15."Interlude: Penthouse" 0:11
16."Sex Murder Party" (featuring Jamie Principle and Zebra Katz)
4:19
17."She's My Collar" (featuring Kali Uchis)
3:29
18."Interlude: The Elephant" 0:11
19."Hallelujah Money" (featuring Benjamin Clementine)
  • Gorillaz
  • Clementine
4:23
20."We Got the Power" (featuring Jehnny Beth)
2:19
Total length:49:23
Humanz- Deluxe edition bonus disc
No.TitleWriter(s)Length
1."Interlude: New World" 1:22
2."The Apprentice" (featuring Rag'n'Bone Man, Zebra Katz and Ray BLK)
3:56
3."Halfway to the Halfway House" (featuring Peven Everett)
  • Gorillaz
  • Everett
3:57
4."Out of Body" (featuring Kilo Kish, Zebra Katz and Imani Vonshà)
3:45
5."Ticker Tape" (featuring Carly Simon and Kali Uchis)
  • Gorillaz
  • Simon
  • Loaiza
4:28
6."Circle of Friendz" (featuring Brandon Markell Holmes)Gorillaz2:08
Total length:19:36
Humanz- Japanese deluxe edition
No.TitleWriter(s)Length
21."Andromeda" (D.R.A.M. Special)
  • Gorillaz
  • Messenburg-Smith
4:00
22."Busted and Blue" (Faia Younan Special)
  • Gorillaz
  • Younan
3:40
Total length:56:53
Humanz- Super deluxe edition[94][95]
No.TitleWriter(s)Length
1."Intro: I Switched My Robot Off" 0:24
2."Ascension" (featuring Vince Staples)
  • Gorillaz
  • V. Staples
2:35
3."Long Beach"Gorillaz3:23
4."Strobelite" (featuring Peven Everett)
  • Gorillaz
  • Everett
4:32
5."Colombians"Gorillaz3:57
6."Saturnz Barz" (featuring Popcaan)
  • Gorillaz
  • Sutherland
3:01
7."Duetz"Gorillaz2:43
8."Momentz" (featuring De La Soul)
  • Gorillaz
  • Mercer
  • Jolicoeur
  • Mason
3:16
9."Midnite Float" (featuring Azekel)
3:57
10."Interlude: The Non-Conformist Oath" 0:21
11."Submission" (featuring Danny Brown and Kelela)
  • Gorillaz
  • Sewell
  • Mizanekristos
3:21
12."Grilling with His Face"Gorillaz2:15
13."Charger" (featuring Grace Jones)
  • Gorillaz
  • Jones
3:34
14."Charger" (alternate version; featuring Pauline Black)
2:57
15."Interlude: Elevator Going Up" 0:04
16."Andromeda" (featuring D.R.A.M.)
  • Gorillaz
  • Messenburg-Smith
3:17
17."Andromeda" (D.R.A.M. Special)
  • Gorillaz
  • Messenburg-Smith
4:00
18."Busted and Blue"Gorillaz4:37
19."Busted and Blue" (Faia Younan Special)
  • Gorillaz
  • Younan
3:40
20."Interlude: Talk Radio" 0:19
21."Carnival" (featuring Anthony Hamilton)
  • Gorillaz
  • Hamilton
2:15
22."Carnival" (2-D Special; featuring Anthony Hamilton)
  • Gorillaz
  • Hamilton
3:49
23."Let Me Out" (featuring Mavis Staples and Pusha T)
  • Gorillaz
  • M. Staples
  • Thornton
2:55
24."Five Whales in a Dream"Gorillaz2:37
25."Interlude: Penthouse" 0:11
26."Sex Murder Party" (featuring Jamie Principle and Zebra Katz)
  • Gorillaz
  • Principle
  • Morgan
4:19
27."Garage Palace" (featuring Little Simz)
2:30
28."She's My Collar" (featuring Kali Uchis)
  • Gorillaz
  • Loaiza
3:29
29."She's My Collar" (Kali Uchis Spanish Special)
  • Gorillaz
  • Loaiza
2:50
30."Interlude: The Elephant" 0:11
31."Hallelujah Money" (featuring Benjamin Clementine)
  • Gorillaz
  • Clementine
4:23
32."Phoenix on the Hill" (featuring Sidiki Diabaté)
  • Gorillaz
  • Diabaté
3:22
33."We Got the Power" (featuring Jehnny Beth)
  • Gorillaz
  • Beth
  • Gallagher
2:19
34."Tranzformer"Gorillaz2:40
Total length:94:03
  • "Andromeda" is listed on physical editions as "Andromeda – For Ethel".
  • "We Got the Power" is listed on physical editions as "We Got the Power (Version 2:18:482)".

Sample credits

  • "Intro: I Switched My Robot Off" contains a sample of Space Shuttle Discovery during launch sequence.
  • "Saturnz Barz" contains an uncredited sample of the instructional voice-over of Interactive Planetarium by Scientific Toys Limited.
  • "Interlude: The Non-Conformist Oath" contains a sample of "A Wild and Crazy Guy" as written and performed by Steve Martin, from his album A Wild and Crazy Guy.
  • "Submission" contains a sample of "Your Love" as written by Jose Gomez, Francis Nicholls, Jamie Principle and Mark Trollan and performed by Jamie Principle featuring Adrienne Jett.
  • "Carnival (2-D Special)" contains a sample of "Breathless" as written by Blaxx and Roy Cape.

Personnel

Credits adapted from the liner notes of the Super Deluxe edition of Humanz.[96]

Gorillaz

  • Damon Albarn – production, vocals, synthesizers, drums, keyboards, programming, guitar
  • Jamie Hewlett – artwork, design
  • Stephen Sedgwick – mixing, engineering
  • Remi Kabaka Jr. – production, drum programming, percussion (all tracks), drums (track 27)
  • John Davis – mastering
  • Samuel Egglenton – assistance (tracks 2, 4, 6, 8, 11, 16, 18, 21, 23, 26, 28, 31, 33), additional engineering (track 13)

Additional musicians

  • Ben Mendelsohn – narration (tracks 1, 8, 10, 15, 20, 25, 30, "Interlude: New World")
  • Vince Staples – vocals (track 2)
  • The Humanz[a] – choir (tracks 2, 4, 6, 8, 11, 23, 31, "Halfway to the Halfway House", "Out of Body", and "Circle of Friendz")
  • Peven Everett – vocals, additional keyboards (tracks 4, "Halfway to the Halfway House")
  • Popcaan – vocals (track 6)
  • De La Soul – vocals (track 8)
  • Azekel – additional vocals (tracks 8, 9, 11)
  • Jean-Michel Jarre – synthesizers (tracks 8, 9, 33, "Halfway to the Halfway House")
  • The Twilite Tone – production, drums (tracks 9, 14, 17, 22, 24, 29), synthesizers (tracks 9, 14), bass (tracks 9, 17, 22, 24), drum programming (track 14)
  • Kelela – vocals (track 11), additional vocals (track 18)
  • Danny Brown – vocals (track 11)
  • Graham Coxon – guitars (track 11)
  • Grace Jones – vocals (track 13)
  • Pauline Black – vocals (track 14)
  • DRAM – vocals (tracks 16, 17), additional vocals (track 33)
  • Roses Gabor – additional vocals (tracks 16, 17)
  • Cheick Tidiane Seck – additional synthesizers (tracks 17, "Ticker Tape")
  • Faia Younan – vocals (track 19)
  • Anthony Hamilton – vocals (tracks 21, 22)
  • Mavis Staples – vocals (track 23)
  • Pusha T – vocals (track 23)
  • Jamie Principle – vocals (track 26)
  • Zebra Katz – vocals (tracks 26, "The Apprentice", "Out of Body")
  • Little Simz – vocals (track 27)
  • Kali Uchis – vocals (tracks 28, 29, "Ticker Tape")
  • Benjamin Clementine – vocals (track 31)
  • Sidiki Diabaté – vocals and kora (track 32)
  • Jehnny Beth – vocals (track 33)
  • Noel Gallagher – additional vocals (track 33)
  • Rag'n'Bone Man – vocals (track "The Apprentice")
  • Ray BLK – vocals (track "The Apprentice")
  • Kilo Kish – vocals (track "Out of Body")
  • Imani Vonzhà – vocals (track "Out of Body")
  • Carly Simon – vocals (track "Ticker Tape")
  • Brandon Markell Holmes – additional vocals (track "Circle of Friendz")

Additional technical

  • Fraser T. Smith – production consulting (all tracks), additional production (track "The Apprentice")
  • Michael Law Thomas – additional engineering (tracks 2, "Out of Body")
  • KT Pipal – assistance (tracks 2, 4, 6, 8, 11, 28, 31, "The Apprentice", "Halfway to the Halfway House", "Out of Body", "Ticker Tape", "Circle of Friendz")
  • Casey Cuyao – assistance (track 2)
  • John Foyle – engineering (track 3)
  • Morgan Garcia – additional engineering (track 8)
  • J.U.S. – additional engineering (track 11)
  • Paul Bailey – additional engineering (track 23)
  • Alex Baez – assistance (track 23)
  • Jonathan Lackey – assistance (track 23)
  • Manon Grandjean – assistance (track "The Apprentice")

Additional artwork

Notes

  • ^[a] "The Humanz" consist of Rasul A-Salaam, Starr Busby, Melanie J-B Charles, Drea D'Nur, Giovanni James, Marcus Anthony Johnson, Janelle Kroll, Brandon Markell Holmes, and Imani Vonshà

Singles

  • On 23 March 2017, four singles were released onto Gorillaz YouTube channel and onto streaming services.
  • The first single, "Saturnz Barz" bubbled under the Hot 100 at 101 and peaked at 5 on the US Hot Rock Song chart. In the UK, the single peaked at 87.
  • "We Got The Power", the second single, peaked at 13 on the Hot Rock Songs chart and 38 on the Alternative Songs chart.
  • "Ascension", the third single, peaked at 11 on the Hot Rock Songs chart. In the UK, the single peaked at 91.
  • "Andromeda", the fourth single, peaked at 9 on the Hot Rock Songs chart.
  • "Let Me Out", the fifth single, was released on 6 April 2017. It bubbled under the Hot 100 at 115 and peaked at 7 on the Hot Rock Songs chart.
  • "The Apprentice", the sixth single, was released on 24 April 2017. It peaked at 18 on the Hot Rock Songs chart.
  • "Strobelite", the seventh single, was released on 7 August 2017. It peaked at 22 on the Hot Rock Songs chart.
  • "Garage Palace", the eighth single, and "Andromeda (D.R.A.M Special)", the ninth single, were released on 31 October 2017 and 1 December 2017, respectively. They were both released as a part of the "Super Deluxe" edition.

Charts

Certifications

RegionCertificationCertified units/sales
Canada (Music Canada)[138]Gold40,000‡
France (SNEP)[139]Gold50,000‡
Poland (ZPAV)[140]Gold10,000‡
United Kingdom (BPI)[141]Gold100,000‡
Summaries
Worldwide—500,000[142]

‡ Sales+streaming figures based on certification alone.

Notes

  1. ^ All tracks
  2. ^ Tracks 2-5, 7, 17, 19
  3. ^ Tracks 5, 20
  4. ^ Tracks 4, 16
  5. ^ Track 2
  6. ^ Track 5
  7. ^ Track 14
  8. ^ Track 14

References

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Quelle: https://en.wikipedia.org/wiki/Humanz

Artist(s)

Veröffentlichungen von Gorillaz die im OTRS erhältlich sind/waren:

The Singles Collection 2001-2011 ¦ Gorillaz ¦ Humanz ¦ Cracker Island ¦ Plastic Beach

Gorillaz auf Wikipedia (oder andere Quellen):

Logovariante vom Album Gorillaz

Gorillaz ist eine virtuelle britische Band, die aus den vier Comicfiguren 2D (Leadgesang und Keyboard), Murdoc Niccals (E-Bass), Noodle (Leadgitarre und Hintergrundgesang) und Russel Hobbs (Schlagzeug und Perkussion) besteht. Sie wurde 1998 von Damon Albarn, dem Sänger der britischen Gruppe Blur, und Jamie Hewlett, dem Zeichner und Co-Autor des Comics Tank Girl, erschaffen.

Die Band wird nicht durch einen Kreis realer Personen repräsentiert, vielmehr arbeiten Albarn und Hewlett mit einer wechselnden Gruppe von Musikern und Produzenten zusammen, sodass es zu den einzelnen Band-Mitgliedern kein reales Alter Ego gibt. Die Comicfiguren sind mit Charaktereigenschaften und ausführlichen Biografien versehen, wenngleich sie im Gegensatz zu vielen anderen „fiktiven“ Musikgruppen (wie Alvin und die Chipmunks oder The Archies) ursprünglich nicht Gegenstand eines Comics, einer TV-Zeichentrickserie oder dergleichen waren.

Das im Frühjahr 2001 veröffentlichte Debütalbum Gorillaz verkaufte sich über sieben Millionen Mal und brachte der Band einen Eintrag im Guinness-Buch der Rekorde als „erfolgreichste virtuelle Band“. Mit dem Mitte 2005 veröffentlichten zweiten Album, Demon Days, erreichten die Gorillaz die Spitzenposition der britischen Charts, in Deutschland den zweiten Platz und den sechsten in den USA. Es verkaufte sich bis zum Jahr 2006 weltweit mehr als sechs Millionen Mal und gewann einen Grammy Award. Im Frühjahr 2010 stellte die Band mit Plastic Beach ihr drittes Studioalbum vor. Ende 2010 folgte mit The Fall das vierte Studioalbum. Nach einer fünfjährigen Schaffenspause erschien im April 2017 das fünfte Album Humanz, im Juni 2018 das sechste Album The Now Now und im Oktober 2020 das Album Song Machine – Season One: Strange Timez. Im Februar 2023 wurde das achte Studioalbum Cracker Island veröffentlicht.

Geschichte

Entstehung

Damon Albarn, 2007

Damon Albarn und Jamie Hewlett kamen auf die Idee, eine virtuelle Pop-Band zu schaffen, als sie 1998 in ihrer Londoner Wohngemeinschaft Musikfernsehen schauten. Sie ärgerten sich gemeinsam darüber, dass die Künstler auf MTV austauschbar geworden waren. Hewlett beschrieb den Zeitpunkt in einem Interview später:

“… if you watch MTV for too long, it’s a bit like hell – there’s nothing of substance there. So we got this idea for a cartoon band, something that would be a comment on that.”

„… wenn du zu lange MTV schaust, ist es ein wenig wie die Hölle – dort gibt es nichts Substanzielles. So bekamen wir diese Idee mit der Cartoon-Band, die eine Kommentierung dessen wäre.“

– Jamie Hewlett[1]

Die Gruppe sollte sämtliche damals gängigen Klischees bedienen. Sie stellten sie aus vier Stereotypen zusammen, die Hewlett als Zeichentrickfiguren zu Papier brachte: einem Punk als Bandleader (2D), einem Altrocker am Bass (Murdoc), einer flippigen Asiatin an der Gitarre (Noodle) und einem gutmütigen Hünen am Schlagzeug (Russel). Albarn und Hewlett erkennen zusätzliches Potential in der ersponnenen Band: Sie können nach Belieben das Genre wechseln und dazu mit den unterschiedlichsten Gastmusikern arbeiten.[2] Für die Bandmitglieder wurden ausführliche Biografien ausgearbeitet (siehe Besetzung und fiktive Bandgeschichte) und auf der Website der Band präsentiert, noch bevor die erste Musik veröffentlicht wurde.[3]

Das erste Lied, das die Gorillaz aufnahmen, war Ghost Train.[4] Es wurde später als B-Seite der Single Rock the House und auf der Kompilation G-Sides veröffentlicht. Die ersten Musiker hinter den Gorillaz waren Albarn, Del tha Funkee Homosapien und Dan the Automator; die drei hatten zuvor für Deltron 3030 am Song Time Keeps on Slipping zusammengearbeitet.[5]

Phase Eins: Celebrity Takedown

Die erste Veröffentlichung der Gorillaz war die EP Tomorrow Comes Today aus dem Jahre 2000. Die erste Single, Clint Eastwood, kam am 5. März 2001 in die Läden. Noch im selben Monat folgte das erste Album, das den Namen der Band trägt. Hieraus wurden neben Clint Eastwood, das im selben Jahr im Werbespot des Opel Zafira verwendet wurde,[6] die Singles 19–2000, Tomorrow Comes Today und Rock the House ausgekoppelt. Auf dem Debütalbum sind Miho Hatori, Del Tha Funkee Homosapien, Tina Weymouth und Ibrahim Ferrer zu hören. Es bescherte den Gorillaz schnell kommerziellen Erfolg. In den USA erreichte es mit mehr als einer Million verkauften Tonträgern Platin-Status, weltweit wurden über sieben Millionen Exemplare abgesetzt.[7] Im Guinness-Buch der Rekorde wurden die Gorillaz daraufhin als „erfolgreichste virtuelle Band“ eingetragen.[8] Ende 2001 erschien der Song 911, eine Zusammenarbeit mit der Rap-Formation D12 (ohne Eminem) und dem Sänger Terry Hall über die Terroranschläge am 11. September 2001. Der B-Seiten-Sampler G-Sides erschien am 12. Dezember 2001 zunächst in Japan und Anfang 2002 international.

Am 20. Februar 2002 traten die Gorillaz bei der Verleihung der BRIT Awards auf. Sie wurden als dreidimensionale Animationen auf vier großen Bildschirmen gezeigt und auf der Bühne von dem Rapper Phi Life Cypher begleitet. Die Band war für sechs der Auszeichnungen nominiert, darunter in den Kategorien Beste Britische Gruppe, Bestes Britisches Album und Bester Britischer Newcomer, verließ die Veranstaltung aber mit leeren Händen.[9][10]

Im Juni 2002 erschien das Remixalbum Laika Come Home mit Neubearbeitungen der Gorillaz-Werke durch die Spacemonkeyz. Die nachfolgende Single Lil’ Dub Chefin’ enthielt ein Spacemonkeyz-Stück mit dem Titel Spacemonkeyz Theme. Im November des Jahres kam die DVD Phase One: Celebrity Take Down auf den Markt, eine Zusammenstellung von Materialien im Zusammenhang mit dem ersten Album, beispielsweise die Storyboards und Animatics zu den Musikvideos der fünf bisherigen Singles.[11]

Phase Zwei: Slowboat to Hades

De La Soul führen mit den Gorillaz auf einem Konzert in Manchester im November 2005 Feel Good Inc. auf.

Ende 2004 kündigten die Gorillaz auf ihrer Website ein neues Album an und zeigten vorab das Video zum Song Rock It online. Ein Talentwettbewerb unter dem Titel Search for a Star stellte dem Gewinner eine Kollaboration mit den Gorillaz in Aussicht. Unter dem Namen Reject False Icons[12] wurde ein virales Marketingprojekt ins Leben gerufen, das die Ikonisierung in der Popkultur kritisierte. Als erste Single aus dem neuen Album wurde Feel Good Inc. veröffentlicht, in Japan als EP, als Single-CD in Europa, Amerika und Australien. In Großbritannien, dem Heimatland der Gorillaz, stieg die Single bis auf Platz 2 der Singlecharts, in Deutschland erreichte sie Platz 8, in den USA Platz 14. Sie war für den Grammy Award 2006 in drei Kategorien, darunter Single des Jahres, nominiert und gewann den Preis in der Kategorie Beste Zusammenarbeit mit Gesang – Pop.

Das Album Demon Days, produziert von DJ Danger Mouse, kam im Mai 2005 auf den Markt. Musikalische Unterstützung kommt von De La Soul, Neneh Cherry, Martina Topley-Bird, Roots Manuva, MF Doom, Ike Turner, Bootie Brown von The Pharcyde, Shaun Ryder und Dennis Hopper sowie dem London Community Gospel Choir und dem Children’s Choir of San Fernandez. In Großbritannien war das Album bereits in der ersten Woche nach Veröffentlichung das meistverkaufte Album, in Deutschland kletterte es bis auf Rang 2 und in den USA auf Rang 8. Bis zum Jahr 2006 verkaufte es sich weltweit mehr als sechs Millionen Mal. Als weitere Singles wurden Dare, Dirty Harry und Kids with Guns/El Mañana ausgekoppelt, die in Deutschland und Großbritannien allesamt Chartplatzierungen erreichten.

Am 3. November 2005 traten die Gorillaz bei den MTV Europe Music Awards 2005 live auf. Mithilfe des Musion Eyeliner Systems wurden dreidimensionale computergenerierte Hologramme der Bandmitglieder auf die Bühne projiziert. Es war das erste Mal überhaupt, dass Hologramme auf einer Bühne auftraten.[13][14] Ebenfalls als Hologramme eröffneten die Gorillaz die Show zur Vergabe der Grammy Awards 2006 am 8. Februar 2006. Zusammen mit De La Soul und Madonna spielten sie ein Medley aus Feel Good Inc. und Madonnas Hit Hung up. Dabei standen die Hologramme und die Künstler aus Fleisch und Blut gemeinsam auf einer Bühne.[15] Für 2007 bis 2008 war eine Hologramm-Live-Tour der Gorillaz geplant.[14] Das Vorhaben wurde jedoch aufgrund technischer Schwierigkeiten und wegen der hohen Kosten verworfen.

Im Oktober 2006 wurden die DVD Phase Two: Slowboat to Hades und kurz darauf die offizielle Biografie Rise of the Ogre veröffentlicht. Slowboat to Hades stellt, nach dem Vorbild der Vorgänger-DVD Celebrity Takedown, Materialien zum Album Demon Days und den daraus entnommenen Singles zusammen, enthält aber auch Aufzeichnungen der Auftritte bei den MTV Europe Music Awards und den Grammys. Rise of the Ogre stellt auf rund 300 reichhaltig illustrierten Buchseiten die Lebensläufe der vier Bandmitglieder 2D, Murdoc, Noodle und Russel vor.[16] Im Februar 2008 wurde der dokumentarische Film Bananaz auf der Berlinale erstmals gezeigt. Er beleuchtet sowohl die fiktiven Figuren als auch realen Personen, die dahinter stehen.[17]

Phase Drei: Escape to Plastic Beach

Bühnenshow der Gorillaz 2010

Über längere Zeit arbeiteten Damon und Hewlett an einem neuen Gorillaz-Vorhaben unter dem Arbeitstitel Carousel, ohne dass definiert war, welche Gestalt es annehmen sollte. Angedacht waren narrative Film- und Bühnenformen, letztlich entwickelte sich daraus Plastic Beach, das dritte Studioalbum der Gorillaz.[18] Es wurde im März 2010, knapp fünf Jahre nach Demon Days veröffentlicht; vorab war im Januar 2010 die Single Stylo erschienen. Auf dem Album sind mit Snoop Dogg, Lou Reed, De La Soul, Bobby Womack, Mark E. Smith von The Fall, Gruff Rhys von Super Furry Animals sowie Mick Jones und Paul Simonon von The Clash wieder eine Reihe namhafter Künstler vertreten.[19] Plastic Beach erreichte jeweils Platz 2 in den britischen und US-amerikanischen sowie Platz 3 in den deutschen Albumcharts (Stand: April 2010).[20] Am 5. Oktober 2010 enthüllte die Band online vorab ihren neusten Song Doncamatic, welcher am 22. November im Vereinigten Königreich und kurz darauf in Deutschland erschienen ist.[21]

Das vierte Album, The Fall, wurde in einer Zeit von 32 Tagen während der Gorillaz North American Tour 2010 aufgenommen und am 25. Dezember 2010 vorgestellt. Die einzelnen Titel von The Fall sind Städten der Tour gewidmet, in denen sie aufgenommen wurden. Es handelt sich bei den Aufnahmen nicht um Livemitschnitte, sondern um Titel, die (wie es die Abbildung auf dem Cover zeigt) überwiegend in Hotelzimmern aufgenommen wurden. Zunächst war es Mitgliedern des offiziellen Fanclubs Sub Division als kostenloser Download nutzbar, von anderen konnte es, ebenfalls ohne Bezahlung, online angehört werden.[22] Am 15. April 2011 erschien es dann als reguläres Album der Band im Handel. Erstmals schaffte ein Gorillaz-Album nicht den Sprung in die Top 10 der britischen Charts, was laut Damon Albarn kein Wunder sei, da man The Fall vier Monate lang als kostenlosen Download angeboten habe. Die Idee, so Albarn, sei eine völlig andere gewesen. So werde man im Sommer 2011 eine iPad-App – basierend auf den KORG iElectribe – auf den Markt bringen mit Loops und Samples aus dem vierten Album, damit jeder User so seine eigene Version der Songs erstellen kann. Das Projekt stehe, so Albarn, unter der Leitung des Gorillaz-Toningenieurs Stephen Sedgwick und der Firma Korg.[23]

Besetzung und fiktive Bandgeschichte

Nicht-virtuelle Mitglieder

  • Damon Albarn – Gesang, Instrumente, Produktion, Songwriting
  • Jamie Hewlett – Illustrationen, Songwriting, Spezialeffekte, Videoregisseur
  • Remi Kabaka Jr. – Drumcomputer, Perkussion, Produktion

Virtuelle Mitglieder

Das Folgende ist hauptsächlich aus der Biographie Rise of the Ogre entnommen und enthält nur fiktive Informationen:

  • Murdoc Faust Niccals (* 6. Juni 1966 in Stoke-on-Trent, England als Murdoc Alphonce Niccals) ist der Bassspieler und Gründer der Band. Schon früh in seiner Kindheit zeigte er sich fasziniert vom Satanismus sowie dessen Vertretern Aleister Crowley und Anton LaVey. Seine größten musikalischen Einflüsse waren Black Sabbath und The Clash. Nach mehreren erfolglosen Versuchen, eine Band zu gründen, fuhr er eines Tages 2D bei einem Überfall auf das Orgelgeschäft, in dem dieser arbeitete, mit seinem Auto um und versetzte ihn damit in einen katatonischen Zustand. Zur Betreuung des pflegebedürftigen 2D verurteilt, verursachte Murdoc kurze Zeit später einen weiteren Autounfall, der 2Ds Bewusstsein zurückbrachte. Mit der Zuversicht, eine erfolgreiche Band zu gründen, erwarb Murdoc über das Internet ein mit einer schaurigen Vergangenheit behaftetes Gebäude auf einer Hügelspitze in Essex, in dem er die Kong Studios, Gorillaz’ Aufnahmestudio, einrichtete.
  • Stuart Harold „2D“ Pot (* 23. Mai 1978 in Hertfordshire, England) ist der Sänger der Band. Er ist ein großer Fan von Zombiefilmen wie Zombie und zählt The Jam, The Clash, Wire und die Buzzcocks zu seinen größten musikalischen Einflüssen. Seit einer Kopfverletzung, wo er mit 11 Jahren vom Baum stürzte, wachsen ihm nur noch blaue Haare am Kopf. Bei den beiden Autounfällen im Alter von 19 und 20 mit Murdoc wurde jeweils ein Auge nach innen gedrückt, wodurch sie schwarz erscheinen (ein sogenanntes Hyphaema). Dafür gab Murdoc ihm den Spitznamen „2D“, was für two dents (dt. „zwei Dellen“) steht.
  • Russel Hobbs (* 3. Juni 1975 in Brooklyn, New York) ist der Schlagzeuger der Band. Bei einem Drive-by-Shooting absorbierte Russel die Seelen all seiner erschossenen Freunde, was seine Augen gänzlich weiß werden ließ. Nach vier Jahren im Koma wurde er von seinen Eltern zu seinem Schutz nach London geschickt, wo er in einem Plattengeschäft zu arbeiten begann. Eines Tages wurde Russel, der für sein umfassendes Musikwissen bekannt war, von Murdoc überfallen und in die Kong Studios entführt. Da Russel die Musik gefiel, blieb er dort. Der Geist seines besten Freundes Del entfernt sich hin und wieder aus Russels Körper und lieferte unter anderem den Rap für Clint Eastwood und Rock the House.
  • Noodle (* 31. Oktober 1990 in Osaka, Japan) ist die Gitarristin der Band. Sie erschien eines Tages in einer FedEx-Kiste vor den Toren der Kong Studios und wurde nach dem ersten Wort, das sie sagte, als sie die Kiste verließ, benannt. Sie ersetzte die eigentlich als Gitarristin vorgesehene Paula Cracker, 2Ds damalige Freundin, welche nach einem Seitensprung mit Murdoc aus der Band geworfen wurde. Wie Noodle später auf einer Reise nach Osaka erfährt, entstammt sie ursprünglich einem Kinder-Militärprogramm. Nach dessen Verbot wurde ihr Gedächtnis gelöscht und sie wurde nach England verschickt.

Tour-Mitglieder

TourMitglieder
2001–2002 (Gorillaz Live)
  • Damon Albarn – Gesang, Melodica
  • Simon Katz – Gitarre
  • Junior Dan – Bass (2001)
  • Roberto Occhipinti – Bass (2002)
  • Mike Smith – Keyboard
  • Cass Browne – Schlagzeug
  • Darren Galea – Turntables
2005–2006 (Demon Days Live)
  • Damon Albarn – Gesang, Melodica, Klavier
  • Simon Tong – Gitarre
  • Simon Jones – Rhythmusgitarre
  • Morgan Nichols – Bass
  • Mike Smith – Keyboard
  • Cass Browne – Schlagzeug
  • Karl Vanden Bossche – Perkussion
  • Darren Galea – Turntables
2010 (Escape to Plastic Beach Tour)
  • Damon Albarn – Gesang, Melodica, Klavier, Akustikgitarre
  • Jeff Wootton – Gitarre
  • Simon Tong – Gitarre
  • Mick Jones – Rhythmusgitarre
  • Paul Simonon – Bass
  • Mike Smith – Keyboard
  • Jesse Hacket – Keyboard
  • Cass Browne – Schlagzeug, Perkussion
  • Gabriel Wallace – Schlagzeug, Perkussion
2017–2018 (Humanz Tour and The Now Now Tour)
  • Damon Albarn – Gesang, Klavier, Keyboard, Melodica, Gitarre
  • Jeff Wootton – Gitarre
  • Seye Adelekan – Bass
  • Mike Smith – Keyboard
  • Jesse Hacket – Keyboard
  • Gabriel Wallace – Schlagzeug
  • Karl Vanden Bossche – E-Schlagzeug, Perkussion
2020–2021 (Song Machine Tour)
  • Damon Albarn – Gesang, Klavier, Keyboard, Melodica
  • Jeff Wootton – Gitarre
  • Seye Adelekan – Bass
  • Mike Smith – Keyboard
  • Jesse Hacket – Keyboard
  • Femi Koleoso – Schlagzeug
  • Karl Vanden Bossche – E-Schlagzeug, Perkussion
  • Remi Kabaka – Perkussion

Diskografie

Studioalben

JahrTitelHöchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen
(Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen)		Anmerkungen
 DE AT CH UK US
2001GorillazDE3
Gold
Gold

(27 Wo.)DE		AT3
Gold
Gold

(36 Wo.)AT		CH6
Platin
Platin

(39 Wo.)CH		UK3
Dreifachplatin
×3
Dreifachplatin

(82 Wo.)UK		US14
Platin
Platin

(43 Wo.)US
Erstveröffentlichung: 26. März 2001
Verkäufe: + 3.298.000
2005Demon DaysDE2
Platin
Platin

(45 Wo.)DE		AT3
Platin
Platin

(43 Wo.)AT		CH1
Gold
Gold

(34 Wo.)CH		UK1
Sechsfachplatin
×6
Sechsfachplatin

(78 Wo.)UK		US6
Doppelplatin
×2
Doppelplatin

(73 Wo.)US
Erstveröffentlichung: 11. Mai 2005
Verkäufe: + 5.110.000
2010Plastic BeachDE3
(12 Wo.)DE		AT1
(15 Wo.)AT		CH2
(22 Wo.)CH		UK2
Platin
Platin

(31 Wo.)UK		US2
(33 Wo.)US
Erstveröffentlichung: 3. März 2010
Verkäufe: + 300.000
The FallDE43
(1 Wo.)DE		AT33
(2 Wo.)AT		CH13
(7 Wo.)CH		UK12
(3 Wo.)UK		US24
(3 Wo.)US
Erstveröffentlichung: 25. Dezember 2010
2017HumanzDE3
(8 Wo.)DE		AT1
(6 Wo.)AT		CH1
(10 Wo.)CH		UK2
Gold
Gold

(11 Wo.)UK		US2
(13 Wo.)US
Erstveröffentlichung: 28. April 2017
Verkäufe: + 200.000
2018The Now NowDE10
(5 Wo.)DE		AT8
(5 Wo.)AT		CH3
(7 Wo.)CH		UK5
Silber
Silber

(5 Wo.)UK		US4
(7 Wo.)US
Erstveröffentlichung: 29. Juni 2018
Verkäufe: + 60.000
2020Song Machine: Season One – Strange TimezDE9
(3 Wo.)DE		AT9
(2 Wo.)AT		CH8
(3 Wo.)CH		UK2
(4 Wo.)UK		US12
(3 Wo.)US
Erstveröffentlichung: 23. Oktober 2020
2023Cracker IslandDE2
(5 Wo.)DE		AT3
(3 Wo.)AT		CH4
(4 Wo.)CH		UK1
(4 Wo.)UK		US3
(… Wo.)Template:Charttabelle/Wartung/vorläufig/2023US
Erstveröffentlichung: 24. Februar 2023

Filmografie

TV-Auftritte

Filme

  • 2001: Charts of Darkness (Mockumentary)
  • 2009: Bananaz (Film von Ceri Levy)
  • 2019: Gorillaz: Reject False Icons (Dokumentarfilm von Denholm Hewlett)

Auszeichnungen

Für ihr Werk wurden die Gorillaz mit verschiedenen Auszeichnungen geehrt, darunter ein Grammy im Jahre 2006, bei dem das Lied Feel Good Inc. mit dem Grammy für die beste vokale Pop-Zusammenarbeit ausgezeichnet wurde.[24] In vier weiteren Kategorien waren die Gorillaz außerdem in dem Jahr nominiert.[25] Auch 2011 gab es zwei Nominierungen, jedoch wurde kein Preis gewonnen.[25]

Bei den GQ Awards des gleichnamigen Magazins waren die Gorillaz 2010 als Band des Jahres nominiert und konnten diese Auszeichnung auch gewinnen.[26]

Bei den MTV Video Music Awards 2005 gewann die Band mit dem Video zu Feel Good Inc. in den Kategorien Beste Spezialeffekte und Bestes Experiment.[27] Im Jahr 2001 gab es weitere drei,[28] im Jahr 2010 eine weitere Nominierung.[29] Beim europäischen Ableger, den MTV Europe Music Awards wurden bisher drei Auszeichnungen bei 14 Nominierungen gewonnen. Dabei wurden zwei Auszeichnungen 2001 (Beste Tänze für die Band sowie Bestes Lied für Clint Eastwood) und eine im Jahr 2005 (Beste Gruppe) gewonnen.[25]

Bei den NME Awards wurde bisher eine Prämie gewonnen, als 2006 der Preis für Innovationen gewonnen wurde. Viermal (einmal 2006 und dreimal 2011) ging die Band leer aus.[30][31]

Drei von sechs Nominierungen führten bei den Q Awards zu Auszeichnungen. 2001 gewann die Band den Preis für das beste Video mit Clint Eastwood und Dan Nakamura war als Bester Produzent nominiert.[32] 2005 wurden die Preise in beiden nominierten Kategorien gewonnen, sowohl in der Kategorie Bestes Video (mit Feel Good Inc.), als auch die Gorillaz und Danger Mouse als beste Produzenten.[33] 2010 gab es zwar zwei weitere Nominierungen, doch weder in der Kategorie Bestes Album (für Plastic Beach) noch im Bereich Bestes Video (für Stylo) konnte ein Preis gewonnen werden.[34]

Weniger Glück hatte die Band bei den BRIT Awards. Bei neun Nominierungen konnte keine einzige Auszeichnungen gewonnen werden. 2002 war die Band sechsmal,[35] 2006 zweimal[36] und 2011 einmal nominiert.[37] Erst im zehnten Anlauf 2018 gewannen sie die Auszeichnung als beste britische Band, im Jahr darauf gingen sie in derselben Kategorie leer aus.

Literatur

  • 2006: Rise of the Ogre (Autobiografie)

Weblinks

Einzelnachweise

  1. ↑ Neil Gaiman: Keeping It (Un)real. In: Wired. Nr. 13.07, Juli 2005 (englisch, Online auf den Internetseiten von Wired [abgerufen am 11. April 2010] Interview mit Damon Albarn und Jamie Hewlett).
  2. ↑ Sven Gantzkow: Pop: Das Comeback der Comic-Käuze. Westdeutsche Zeitung, 3. März 2010, archiviert vom Original am 7. Mai 2014; abgerufen am 25. Mai 2021.
  3. ↑ Gorillaz bei laut.de
  4. ↑ Jim Macnie: Gorillaz: Who Can It Be Now? VH1, 9. Juni 2005, archiviert vom Original am 28. September 2008; abgerufen am 25. Mai 2021 (englisch, Interview mit Damon Albarn und DJ Danger Mouse).
  5. ↑ Steve Huey: Delton 3030 Review. In: Internetseiten von Allmusic. Abgerufen am 12. April 2010 (englisch).
  6. ↑ Werbesongliste. Auswahl O. Archiviert vom Original am 29. April 2010; abgerufen am 20. September 2010.
  7. ↑ Heather Phares: Gorillaz Biography. In: Internetseiten von Allmusic. Abgerufen am 11. April 2010 (englisch).
  8. ↑ James Cooper: Gorillaz: D-Sides. 19. November 2007, ehemals im Original (nicht mehr online verfügbar); abgerufen am 11. April 2010 (englisch).@1@2Vorlage:Toter Link/www.inthenews.co.uk (Seite nicht mehr abrufbar. Suche in Webarchiven)  Info: Der Link wurde automatisch als defekt markiert. Bitte prüfe den Link gemäß Anleitung und entferne dann diesen Hinweis.
  9. ↑ Sexy Sieger, arme Affen. In: Spiegel Online. 21. Februar 2002, abgerufen am 16. April 2010.
  10. ↑ The BRITs 2002. In: Internetseiten der BRIT Awards. Abgerufen am 11. April 2010 (englisch).
  11. ↑ Rob Mitchum: Gorillaz Phase One: Celebrity Take Down. Pitchfork, 4. Februar 2003, archiviert vom Original am 9. April 2009; abgerufen am 25. Mai 2021 (englisch).
  12. ↑ Reject False Icons
  13. ↑ Die Nacht der Superstars. In: Spiegel Online. Abgerufen am 16. April 2010.
  14. ↑ a b gorillaz at the MTV awards 2005. 2005, archiviert vom Original am 31. August 2007; abgerufen am 25. Mai 2021 (englisch).
  15. ↑ Gil Kaufman: Madonna’s Oddest Collab Yet: Singer To Perform At Grammys With Gorillaz. In: MTV.com. 1. Januar 2006, abgerufen am 16. April 2006 (englisch).
  16. ↑ Rise Of The Ogre - many new pic scans, and review. 25. Oktober 2006, abgerufen am 17. April 2010 (englisch).
  17. ↑ Bananaz. In: Internetseiten der Berlinale. Abgerufen am 17. April 2010.
  18. ↑ Mark Kermode: The year of the monkey. In: The Observer. 20. Juli 2008, Sektion Observer Review, S. 4 (Artikel online [abgerufen am 16. April 2010] Interview mit Jamie Hewlett).
  19. ↑ Amy Phillips: Gorillaz Reveal Full Album Details. In: Pitchfork. 20. Januar 2010, abgerufen am 17. April 2010 (englisch).
  20. ↑ Gorillaz - Plastic Beach. In: acharts.us. Abgerufen am 18. April 2010.
  21. ↑ Offizieller Twitter-Account der Gorillaz. Abgerufen am 5. Oktober 2010.
  22. ↑ Offizielle Webseite zum vierten Gorillaz-Album. 2010, archiviert vom Original am 27. April 2017; abgerufen am 25. Mai 2021 (englisch).
  23. ↑ 2-J: Gorillaz news roundup: Gruff Rhys, Snoop Dogg, Spotify, Fall unboxing, Kate Bush, Loud magazine. 2011, archiviert vom Original am 18. Juli 2011; abgerufen am 25. Mai 2021 (englisch).
  24. ↑ Grammy-Verleihung 2006: Gewinner im Pop-Sektor. grammy.com (englisch) abgerufen am 14. September 2012
  25. ↑ a b c Zeitleiste auf rockonthenet.com (englisch) abgerufen am 14. September 2012
  26. ↑ Band: Gorillaz. 7. September 2010, archiviert vom Original am 30. Juni 2012; abgerufen am 25. Mai 2021 (englisch).
  27. ↑ MTV Video Music Awards 2005. Archiviert vom Original am 7. September 2008; abgerufen am 25. Mai 2021 (englisch).
  28. ↑ MTV Video Music Awards 2001. Archiviert vom Original am 8. September 2008; abgerufen am 25. Mai 2021 (englisch).
  29. ↑ 2010 MTV Video Music Awards. Archiviert vom Original am 31. August 2010; abgerufen am 25. Mai 2021 (englisch).
  30. ↑ Arctic Monkeys hottest act at NME. bbc.co.uk, 24. Februar 2006 (englisch) abgerufen am 14. September 2012
  31. ↑ Shockwaves NME Awards 2011 – all the winners. Archiviert vom Original am 11. Juli 2017; abgerufen am 25. Mai 2021 (englisch).
  32. ↑ John Lydon, Kate Bush: The Q Awards 2001. fodderstompf.com (englisch) abgerufen am 14. September 2012
  33. ↑ Winners Q awards 2005. telegraph.co.uk, 11. Oktober 2005 (englisch) abgerufen am 14. September 2012
  34. ↑ Q Awards with Russian Standard Vodka: The Nominees. (Memento vom 19. September 2010 im Internet Archive) qthemusic.com (englisch) abgerufen am 14. September 2012
  35. ↑ Brit Awards 2002: The nominations. bbc.co.uk, 14. Februar 2002 (englisch) abgerufen am 14. September 2012
  36. ↑ Brit Awards 2006: The winners. bbc.co.uk, 15. Februar 2006 (englisch)
  37. ↑ Brit Awards 2011: Winners. Auf: bbc.co.uk, 15. Februar 2011 (englisch) abgerufen am 14. September 2012
Quelle: https://de.wikipedia.org/wiki/Gorillaz

Same artist(s), but different album(s)...