Silverchair ¦ Freak Show

CHF 42.00 inkl. MwSt

LP (Album)

Noch 1 Exemplar(e) vorrätig

GTIN: 8719262019829 Artist: Genres & Stile: ,

Zusätzliche Information






Veröffentlichung Freak Show:


Hörbeispiel(e) Freak Show:

Freak Show auf Wikipedia (oder andere Quellen):

Freak Show
A man's face shown on a stage
Studio album by
Released4 February 1997 (1997-02-04)
RecordedMay–November 1996
StudioFestival Studios, Pyrmont, New South Wales, Australia
ProducerNick Launay
Silverchair chronology
Freak Show
Neon Ballroom
Singles from Freak Show
  1. Freak
    Released: 13 January 1997
  2. Abuse Me
    Released: April 1997
  3. Cemetery
    Released: June 1997
  4. The Door
    Released: October 1997

Freak Show is the second studio album by Australian alternative rock band Silverchair. It was recorded during May–November 1996 and released on 4 February 1997 by record labels Murmur and Epic. It was nominated for the 1997 ARIA Music Award for Best Group, but lost to Savage Garden.

Recording and production

Silverchair began recording their second studio album, Freak Show, in May 1996 while experiencing the success of their debut album, 1995’s Frogstomp, in Australia and the US.

Freak Show was produced by Nick Launay (The Birthday Party, Models, Midnight Oil).[3][4]


Frontman Daniel Johns described the album’s title in 1997 by comparing the on-the-road life of Silverchair to that of a traveling carnival. The album’s front cover image is an illustration of Grady Stiles, Jr., a sideshow performer afflicted with ectrodactyly, who used the stage name „Lobster Boy“. The image is courtesy of Circus World Museum, Baraboo, Wisconsin.[5]

Johns also stated that some of the lyrics were toned-down for release on Freak Show. Although, the majority of the songs found on the album still retain emotional and angst-fueled themes that include disease and suicide. One writer claimed the songs focused on the anger and backlash that the expectations of Frogstomp brought upon the band.[6]

Many Freak Show songs such as „Slave“, „Freak“, „No Association“, and „Nobody Came“ were performed live two years prior to their release on the album.[citation needed]. Several of the songs also had different titles prior to the album’s release.[citation needed] These include: „Cat and Mouse“ („The Closing“), „The Proxy Song“ („The Door“), and „Punk Song #1“ („Lie to Me“). A song entitled „Punk Song #2“ was recorded but not renamed; it later appeared on the „Freak“ single. „Punk Song #3“ („Satin Sheets“) was originally recorded for Freak Show, but was omitted from the album and included on Neon Ballroom (1999) instead.

An unreleased song entitled „Slime“ was recorded during the Freak Show sessions, but it has yet to be released. The existence of „Slime“ can originally be traced back to the 1996 late October/early November European press release where it is listed amongst the rest of the Freak Show track listing. The song was described in the press release as „similar to ‚No Association‘ “ but „more melodic“. Thematically speaking, it was described as the „linchpin“ of the entire album.[citation needed]


Although Freak Show was shelved until February 1997 for the general public, European and Australian promotional pressings were officially circulated throughout the music press in late October/early November 1996. The release of Freak Show was originally slated for the autumn of 1996; it was later pushed back to avoid competition from Pearl Jam’s No Code.[citation needed]

Freak Show was released on 4 February 1997. The album reached number 1 in the Australian charts and yielded three Top 10 singles – „Freak“, „Abuse Me“ and „Cemetery“.[7] Its fourth single, „The Door“, reached No. 25.[7] Freak Show was certified gold in the US,[8] and 2× platinum in Australia.[9]

The album was initially released on CD and limited edition cassette and 12-inch vinyl (coloured black in Australasia and yellow in Europe; limited to 3,000 copies worldwide). The CD release of Freak Show is an enhanced CD that includes interactive CD-ROM media from the making of the album. The material found on the Enhanced CD is accessed when placing the disc into the CD-ROM drive of a computer.

The Freak Box

The Freak Box
Box set by
ReleasedNovember 1997

A limited-edition CD box set was released in 1997 by Murmur titled The Freak Box, and includes the four main singles from the album as well as a bonus CD containing interviews with the band members about the singles and their respective album.


Professional ratings
Review scores
The Buzz(favourable)[12]
Rolling Stone[1]
Rock Hard (de)8.5÷10[13]

The German music magazine Rock Hard rated Freak Show 8.5÷10. Along with the singles „Abuse Me“ and „Freak“, they praised the songs „No Association“, „Learn to Hate“ and „Roses“, though „Nobody Came“ was considered to be the song from Freak Show.[13]

Lorraine Ali of Rolling Stone wrote „Silverchair have loads of potential. The band may still be using other peoples‘ riffs to guide its post-pubescent fury, but it’s the enthusiasm that makes this Freak Show more than a novelty.“[1]

American online magazine Loudwire considered Freak Show to be the 9th best hard rock album of 1997.[14]

In his review for Freak Show, Stephen Thomas Erlewine, writing for AllMusic, wrote „Silverchair were slaves to their influences on their debut Frogstomp, but on their second album [...] they’re beginning to show signs of developing their own style. While they may still concentrate too heavily on Pearl Jam and Nirvana, they’re beginning to fuse the elements together in a more interesting way and are writing stronger hooks. Freak Show still has its share of mediocre moments [...] but the album shows potential that Frogstomp never did.“[10]

Chuck Eddy, writing for the American music magazine Spin, thought it was a better album than Silverchair’s debut record Frogstomp, as Freak Show featured „punkier speedups, fancier breaks, and more dramatic climbing from quietude interlude to dude attitude“.[11] Spin also included „Abuse Me“ at number 75 on its list „The 79 Best Alternative Rock Songs of 1997“.[15]

Jeff Gorra of Artist Waves wrote that Freak Show „truly showed how they had evolved as songwriters ... at just 17-years-old.“ The album’s producer, Nick Launay, has said that Freak Show is his favourite Silverchair album. He said:

During the recording of Freak Show they were incredibly wild and young, the energy and adrenaline in the room was like the biggest sugar rush imaginable. Craziest moment: Ben climbing inside a flight case with a movie camera being pushed down the long corridor at Festival Studios by the other two crashing into walls while filming from the inside. Result: black screen, shrieking screams, major damage to the walls.[16]

In 2017, Josh Leeson, writing for The Newcastle Herald, wrote that „for many Chair fans the tortured anger of Freak Show remains a treasured edition in the catalogue of Newcastle’s finest musical export“ and that „20 years on it maintains its own freakish charm in body and soul.“[17]

Legacy and influence

In 2007, after explaining that he felt Neon Ballroom was Silverchair’s „first album“, Johns referred to Freak Show as „some kind of dark, high school band skeleton“ in the band’s „closet“.[18]

In 2017, The Brag wrote that the album stills hold up, „but in a different, lighter way“. They also wrote that Freak Show is like „seeing your high school sweetheart many decades later – you don’t feel the love, but you can remember how it felt. It’s how music works sometimes. But it’s enough that it works at all.“[19]

Australian musician Kevin Parker of Tame Impala has said that Freak Show is the album that made him want to make music and remains one of the most important albums in his life. He stated:

I got into this album because my brothers were into it, they listened to a lot of grunge. That time, I was 10 or 11, was all about discovering rock music and realising how bad-ass it was. My brother had a drum kit and I started learning how to play. Actually, I started playing drums before I had the ambition to be in a band, but as soon as I fell in love with grunge that was all I wanted to do. Grunge gave me a sense of identity and I remember really associating with Silverchair, who were these chilled-out Australian teenagers. The fact that they were teenagers was a big deal for me. It was like: Oh man, you don’t have to be a 30-year-old to do this.


Track listing

All lyrics are written by Daniel Johns; all music written by Johns unless otherwise noted.

1.„Slave“Johns, Ben Gillies3:58
2.Freak 3:49
3.Abuse Me 4:03
4.„Lie to Me“ 1:23
5.„No Association“Johns, Gillies3:56
6.Cemetery 4:05
7.The Door 3:38
8.„Pop Song for Us Rejects“ 3:16
9.„Learn to Hate“Gillies4:19
10.„Petrol & Chlorine“ 4:00
11.„Roses“Johns, Gillies3:35
12.„Nobody Came“Johns, Gillies6:12
13.„The Closing“Gillies3:27
Total length:49:41


Charts and Certifications


  1. ^ a b c Ali, Lorraine (27 January 1997). Freak Show review“. Rolling Stone. Retrieved 31 March 2015.
  2. ^ „Reviews & Previews“. Billboard. Vol. 109, no. 9. 1 March 1997. p. 59. ISSN 0006-2510.
  3. ^ Nimmervoll, Ed. „Silverchair“. HowlSpace – The Living History of Our Music. White Room Electronic Publishing Pty Ltd. Archived from the original on 13 October 2011. Retrieved 13 October 2011.
  4. ^ Spencer, Chris; McHenry, Paul; Nowara, Zbig (2007) [1989]. „ ’silverchair‘ entry“. The Who’s Who of Australian Rock. Moonlight Publishing. ISBN 978−1−86503−891−9.
  5. ^ McIver, Stuart (1995). Murder in the Tropics. Pineapple Press. p. 43. ISBN 1561644412.
  6. ^ Wooldridge, Simon (February 1997). „Freak Show Review“. Juice.
  7. ^ a b „Silverchair Discography“. Archived from the original on 13 October 2011. Retrieved 13 October 2011.
  8. ^ „RIAA > Gold & Platinum > Search results for ‚Silverchair‘ (from“. (original source published by Recording Industry Association of America). Retrieved 6 December 2016.
  9. ^ „ARIA Charts - Accreditations - 1997 Albums“. Australian Recording Industry Association. Retrieved 6 December 2016.
  10. ^ a b Erlewine, Stephen Thomas. Freak Show – Silverchair | Songs, Reviews, Credits, Awards“. AllMusic. Retrieved 31 March 2015.
  11. ^ a b Eddy, Chuck (1997). Freak Show review“. Spin. Retrieved 19 February 2020.
  12. ^ Freak Show review“. 1 February 1997. Retrieved 19 February 2020.
  13. ^ a b Scleutermann, Marcus (1997). Freak Show review“. Retrieved 19 February 2020.
  14. ^ Childers, Chad. „10 Best Hard Rock Albums of 1997“. Loudwire. Retrieved 21 March 2020.
  15. ^ Berman, Judy. „The 79 Best Alternative Rock Songs of 1997“. Spin. Retrieved 21 March 2020.
  16. ^ Gorra, Jeff. „Sharing Freak Show Favourites“. Artist Waves. Retrieved 21 March 2020.
  17. ^ Leeson, Josh. „Silverchair’s freakish second album turns 20“. The Newcastle Herald. Retrieved 21 March 2020.
  18. ^ Alessio, Dom (27 March 2007). „Silverchair: Skeletons in the Closet“. Archived from the original on 4 August 2013. Retrieved 31 March 2015.
  19. ^ „Looking Back: Silverchair’s Freak Show, 20 Years Later“. 3 February 2017. Retrieved 5 November 2021.
  20. ^ Taysom, Joe (24 May 2021). „The one album that made Tame Impala’s Kevin Parker want to be a musician“. Far Out Magazine. Retrieved 23 September 2021.
  21. ^ „ – Silverchair – Freak Show“. Hung Medien. Retrieved 5 April 2015.
  22. ^ „ – Silverchair – Freak Show“ (in German). Hung Medien. Retrieved 5 April 2015.
  23. ^ „ – Silverchair – Freak Show“ (in French). Hung Medien. Retrieved 5 April 2015.
  24. ^ „Silverchair Chart History (Canadian Albums)“. Billboard. Retrieved 5 April 2015.
  25. ^ „ – Silverchair – Freak Show“ (in Dutch). Hung Medien. Retrieved 5 April 2015.
  26. ^ Silverchair: Freak Show“ (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 5 April 2015.
  27. ^ „ – Silverchair – Freak Show“. Hung Medien. Retrieved 5 April 2015.
  28. ^ „ – Silverchair – Freak Show“. GfK Entertainment Charts. Retrieved 5 April 2015.
  29. ^ „ – Silverchair – Freak Show“. Hung Medien. Retrieved 5 April 2015.
  30. ^ „ – Silverchair – Freak Show“. Hung Medien. Retrieved 5 April 2015.
  31. ^ „ – Silverchair – Freak Show“. Hung Medien. Retrieved 5 April 2015.
  32. ^ „ – Silverchair – Freak Show“. Hung Medien. Retrieved 5 April 2015.
  33. ^ „Silverchair | Artist | Official Charts“. UK Albums Chart. Retrieved 5 April 2015.
  34. ^ „Silverchair Chart History (Billboard 200)“. Billboard. Retrieved 5 April 2015.
  35. ^ „ARIA End of Year Albums Chart 1997“. Australian Recording Industry Association. Retrieved 10 September 2020.
  36. ^ „Top Billboard 200 Albums – Year-End 1997“. Billboard. Retrieved 10 September 2020.
  37. ^ „ARIA Charts – Accreditations – 2020 Albums“ (PDF). Australian Recording Industry Association. Retrieved 7 March 2021.
  38. ^ „Canadian album certifications – Silverchair – Freak Show“. Music Canada.
  39. ^ „American album certifications – Silverchair – Freak Show“. Recording Industry Association of America.


Veröffentlichungen von Silverchair die im OTRS erhältlich sind/waren:

Freak Show

Silverchair auf Wikipedia (oder andere Quellen):


Silverchair bei der Across the Great Divide Tour im September 2007
Allgemeine Informationen
Genre(s)Grunge, Rock, Alternative Rock
Daniel Johns
Chris Joannou
Ben Gillies

Silverchair war eine Rockband aus Australien. Sie wurde in ihren Anfangsjahren meist dem Grunge zugeordnet, spätere Werke der Band lassen sich am ehesten dem groben Rahmen Alternative Rock zuweisen.


Silverchair bestand aus Daniel Johns (Songwriter, Gesang, Gitarre, Klavier, Cembalo), Ben Gillies (Schlagzeug und Percussion, auf den ersten beiden Alben Co-Songwriter) und Chris Joannou (E-Bass), die sich allesamt schon aus Grundschulzeiten kennen. Anfangs musizierten die drei noch unter dem Namen „Innocent Criminals“. Sie waren stark vom Grunge beeinflusst, der in den frühen 1990ern die dominante Stilrichtung in der Rockmusik war.

Im Jahr 1994 gewann ihr Lied Tomorrow einen nationalen Demo-Wettbewerb und die Band erhält daraufhin einen Plattenvertrag. Die Single Tomorrow brachte einen großen Erfolg mit sich und 1995 folgte das Debütalbum Frogstomp, das Silverchair wiederholt Vergleiche mit Nirvana einbrachte und sich über drei Millionen Mal verkaufte. 1997 erschien dann das zweite Album mit dem Titel Freakshow, welches vom Stil her dem ersten Album ähnelt und unter anderem die Hits Freak und The Door enthält. Beide Alben führten die Band zu weltweitem Erfolg. Mit Neon Ballroom erschien 1999 das dritte Album der Band, welches insgesamt weniger hart klingt und stellenweise mit orchestraler Untermalung überraschte, die vom Sydney Symphony Orchestra beigesteuert wurde (z. B. das Stück Emotion Sickness, bei dem David Helfgott Klavier spielt). Dieser eingeschlagene Weg fort vom geraden Rock der Anfangstage wurde auf dem vierten Werk Diorama (2002) noch konsequenter verfolgt. Einige Orchesterarrangements auf diesem Album wurden von Van Dyke Parks verfasst. Zugleich ließ der Erfolg nach. Im Jahr 2007 folgte dann das fünfte Album Young Modern. Dieses Album ist von elektronischen Einflüssen gezeichnet, wie sie Johns auch bei seinem (Elektro-)Nebenprojekt The Dissociatives (gemeinsam mit Paul Mac) erkennen ließ. Es wurde jedoch auch auf diesem Album wieder auf orchestrale Unterstützung zurückgegriffen, wofür die Tschechische Philharmonie engagiert wurde.

Johns, Kopf der Band, litt über Jahre hinweg unter Anorexie und schweren Depressionen. Mit diesen Problemen konfrontiert der Sänger seine Hörer im Stück Ana’s Song (vom Album Neon Ballroom). Als er 2002 an reaktiver Arthritis erkrankte, waren seine Energiereserven endgültig aufgezehrt. Erst 2003 konnte die Band für Diorama durch Australien touren.

Am 31. Dezember 2003 heiratete Johns seine langjährige Freundin Natalie Imbruglia. Anfang 2008 wurde die Ehe jedoch wieder geschieden.[1]

Nach einer längeren Schaffenspause mit diversen Nebenprojekten der Bandmitglieder (Johns gründete zusammen mit Paul Mac das Projekt „I Can’t Believe It’s Not Rock!“ und später die Gruppe The Dissociatives; Gillies rief „Tambalane“ ins Leben) betrat man erstmals anlässlich des „Waveaid Festivals“ in Sydney zugunsten der Opfer des Tsunamis 2004 wieder gemeinsam die Bühne. Im Folgenden entschied man sich zu einem neuen Studioaufenthalt; gegen Ende 2006 standen erste Festivals in Australien auf dem Plan, bevor man Anfang 2007 weitere Konzerte in Nordamerika gab. Am 10. März 2007 erschien mit Straight Lines die erste Single-Auskopplung aus dem 2007er Album Young Modern. Die Single stieg direkt auf Platz 1 der ARIA Singles Charts ein. Weitere Single-Auskopplungen waren Reflections of a Sound und If You Keep Losing Sleep.

Am 25. Mai 2011 gab die Band auf ihrer offiziellen Webseite bekannt, dass die Mitglieder in Zukunft getrennte Wege gehen würden und es keine Pläne für weitere Veröffentlichungen oder Auftritte gebe. Die Trennung wurde von den Musikern als „Winterschlaf auf unbestimmte Zeit“ bezeichnet.[2]



JahrTitelHöchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen[3]
(Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen)
(8 Wo.)DE

(2 Wo.)UK

(48 Wo.)US

(50 Wo.)AU
Erstveröffentlichung: 27. März 1995
1997Freak ShowDE42
(6 Wo.)DE
(4 Wo.)AT
(3 Wo.)CH
(2 Wo.)UK

(20 Wo.)US

(50 Wo.)AU
Erstveröffentlichung: 4. Februar 1997
1999Neon BallroomDE13
(30 Wo.)DE
(15 Wo.)AT
(3 Wo.)CH

(2 Wo.)UK

(30 Wo.)US

(40 Wo.)AU
Erstveröffentlichung: 16. März 1999
(5 Wo.)DE
(6 Wo.)AT
(5 Wo.)CH
(1 Wo.)UK
(2 Wo.)US

(50 Wo.)AU
Erstveröffentlichung: 31. März 2002
2007Young ModernUS70
(2 Wo.)US

(38 Wo.)AU
Erstveröffentlichung: 31. März 2007


  1. Imbruglia, Johns announce divorce, Nachricht vom 4. Januar 2008
  2. Silverchair news, Nachricht vom 25. Mai 2011
  3. Chartquellen: DE AT CH UK US AU NZ



Es gibt noch keine Bewertungen.

Nur angemeldete Kunden, die dieses Produkt gekauft haben, dürfen eine Bewertung abgeben.

Silverchair ¦ Freak Show
CHF 42.00 inkl. MwSt