Bright Eyes ¦ Fevers And Mirrors

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GTIN: 0648401023510 Artist: Genres & Stile: ,

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Veröffentlichung Fevers And Mirrors:

2000

Hörbeispiel(e) Fevers And Mirrors:

Fevers And Mirrors auf Wikipedia (oder andere Quellen):

Fevers and Mirrors is the third studio album by American indie band Bright Eyes, recorded in 1999 and released on May 29, 2000. It was the 32nd release of the Omaha, Nebraska-based record label Saddle Creek Records. The album was released later in 2000 in the United Kingdom as the inaugural release from Wichita Recordings.[5]

The album begins with a recording of a little boy reading Mitchell Is Moving, a book by Marjorie Weinman Sharmat. "An Attempt to Tip the Scales" includes what is ostensibly an interview with the band's frontman, Conor Oberst. However, Oberst has admitted that the interview was something of a joke, intended to poke fun at the dark tone of the album. Conor's voice is impersonated in the interview by Todd Fink of The Faint and Commander Venus. The man interviewing is Matt Silcock, a former member of Lullaby for the Working Class.[6]

The album was reissued alongside a six-track companion EP by Dead Oceans on May 27, 2022.

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[1]
Melody Maker[7]
NME7/10[2]
Pitchfork5.4/10 (2000)[8]
9.0/10 (2012)[9]
The Rolling Stone Album Guide[10]
Under the Radar9/10[3]

The music online magazine Pitchfork placed Fevers and Mirrors at number 170 on its list of top 200 albums of the 2000s,[11] despite a low initial score of 5.4/10. In 2012, Pitchfork's Ian Cohen gave the reissued version of the album a 9.0 out of 10.[9]

Track listing

No.TitleLength
1."A Spindle, a Darkness, a Fever, and a Necklace"6:28
2."A Scale, a Mirror and Those Indifferent Clocks"2:44
3."The Calendar Hung Itself..."3:55
4."Something Vague"3:33
5."The Movement of a Hand"4:02
6."Arienette"3:45
7."When the Curious Girl Realizes She Is Under Glass"2:40
8."Haligh, Haligh, a Lie, Haligh"4:43
9."The Center of the World"4:43
10."Sunrise, Sunset"4:32
11."An Attempt to Tip the Scales"8:29
12."A Song to Pass the Time"5:30
Total length:55:10
Japanese edition track listing
No.TitleLength
1."A Spindle, a Darkness, a Fever, and a Necklace"6:28
2."A Scale, a Mirror, and Those Indifferent Clocks"2:44
3."The Calendar Hung Itself..."3:55
4."Something Vague"3:33
5."The Joy in Discovery"1:06
6."The Movement of a Hand"4:02
7."When the Curious Girl Realizes She Is Under Glass"2:40
8."Arienette"3:45
9."Jetsabel Removes the Undesirables"6:09
10."Haligh, Haligh, a Lie, Haligh"4:43
11."The Center of the World"4:43
12."Sunrise, Sunset"4:32
13."An Attempt to Tip the Scales"8:29
14."A Song to Pass the Time"5:30
Total length:62:51
Vinyl box set track listing
No.TitleLength
1."A Spindle, a Darkness, a Fever, and a Necklace"6:28
2."A Scale, a Mirror, and Those Indifferent Clocks"2:44
3."The Calendar Hung Itself..."3:55
4."Something Vague"3:33
5."The Joy in Discovery"1:06
6."The Movement of a Hand"4:02
7."Arienette"3:45
8."When the Curious Girl Realizes She Is Under Glass"2:40
9."Haligh, Haligh, a Lie, Haligh"4:43
10."The Center of the World"4:43
11."Jetsabel Removes the Undesirables"6:09
12."Sunrise, Sunset"4:32
13."An Attempt to Tip the Scales"8:29
14."A Song to Pass the Time"5:30
Total length:62:51
Fevers and Mirrors: A companion
No.TitleLength
1."Haligh, Haligh, a Lie, Haligh" (companion version) (featuring Phoebe Bridgers)4:38
2."A Scale, a Mirror, and Those Indifferent Clocks" (companion version) (featuring Phoebe Bridgers)3:01
3."Arienette" (companion version)3:47
4."Hypnotist (Song for Daniel H)" (Lullaby for the Working Class)3:21
5."When the Curious Girl Realizes She Is Under Glass" (companion version) (featuring Phoebe Bridgers)2:49
6."A Spindle, a Darkness, a Fever, and a Necklace" (companion version) (featuring Phoebe Bridgers)4:46
Total length:22:22

Personnel

  • Conor Oberst – vocals, guitar (1, 4, 6, 8, 10-12), sample (1), organs (2), Rhodes (5), keyboards (5, 12), piano (6, 7), tremolo guitar (9), percussion (11), toy piano (12)
  • Mike Mogis – electric guitar (4, 9), pedal steel (6, 8), vibraphone (1, 8), tambourine (6, 8), glockenspiel (1), piano (1), Ebow pedal steel (2), electronics (2, 9), tongue drum (3), guiro (3), lap dulcimer (4), hammered dulcimer (5), atmosphere (7), acoustic guitar intro (9), organ (9), mandolin (10), keyboards (10), samples (11), percussion (11)
  • Todd Baechle – keyboards (3)
  • Tim Kasher – accordion (1, 4, 6)
  • Joe Knapp – drums (3, 4, 6, 8, 9), percussion (3), vocals (8)
  • Jiha Lee – flute (2, 4, 10), vocals (5)
  • Andy LeMaster – guitar (3), percussion (3, 6, 11), Mellotron (5, 6), bass (2, 5, 10), electric guitar (9), vocals (9-11), keyboards (11)
  • Matt Maginn – bass (3, 4, 6, 8, 9)
  • A.J. Mogis – piano (2), Rhodes (9)
  • Clint Schnase – drums (2, 5, 10)

Charts

Chart positions for Fevers and Mirrors
Chart (2012)Peak
position
US Vinyl Albums (Billboard)[12]7
Chart positions for Fevers and Mirrors: A Companion
Chart (2022)Peak
position
UK Independent Albums (OCC)[13]43
US Top Album Sales (Billboard)[14]54

References

  1. ^ a b c DaRonco, Mike. "Fevers and Mirrors – Bright Eyes". AllMusic. Retrieved September 28, 2018.
  2. ^ a b Mulvey, John (July 6, 2000). "Bright Eyes – Fevers And Mirrors". NME. Archived from the original on August 17, 2000. Retrieved September 28, 2018.
  3. ^ a b Everhart, John (May 28, 2012). "Bright Eyes: Fevers and Mirrors (Saddle Creek)". Under the Radar. Retrieved September 28, 2018.
  4. ^ Keiper, Nicole (September 2002). "Omaha Stakes". CMJ. No. 105. CMJ Network, Inc. p. 28. Retrieved April 14, 2022.
  5. ^ Yeah Yeah Yeahs, Bright Eyes Help Wichita Celebrate 10th Anniversary | News | Pitchfork
  6. ^ Phillips, Amy (April 2005). "KittyMagik.com Interview". Archived from the original on June 8, 2007. Retrieved July 16, 2007.
  7. ^ "Bright Eyes: Fevers and Mirrors". Melody Maker: 52. July 22, 2000.
  8. ^ "Bright Eyes: Fevers and Mirrors: Pitchfork Review". Archived from the original on August 16, 2000. Retrieved 2023-08-06.
  9. ^ a b Cohen, Ian (April 30, 2012). "Bright Eyes: Fevers and Mirrors [Vinyl Reissue] / There Is No Beginning to the Story EP [Vinyl Reissue]". Pitchfork. Retrieved September 28, 2018.
  10. ^ Catucci, Nick (2004). "Bright Eyes". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 104–05. ISBN 0-7432-0169-8.
  11. ^ Pitchfork staff (September 28, 2009). "The Top 200 Albums of the 2000s". Pitchfork. p. 2. Retrieved October 1, 2009.
  12. ^ "Bright Eyes Chart History (Vinyl Albums)". Billboard. Retrieved June 3, 2022.
  13. ^ "Official Independent Albums Chart Top 50". Official Charts Company. Retrieved June 3, 2022.
  14. ^ "Bright Eyes Chart History (Top Album Sales)". Billboard. Retrieved June 7, 2022.

External links

Artist(s)

Veröffentlichungen von Bright Eyes die im OTRS erhältlich sind/waren:

Digital Ash In A Digital Urn ¦ A Collection Of Songs Written & Recorded 1995-1997: A Companion ¦ Down In The Weeds, Where The World Once Was ¦ Fevers And Mirrors ¦ Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground ¦ Fevers And Mirrors: A Companion ¦ Letting Off The Happiness: A Companion

Bright Eyes auf Wikipedia (oder andere Quellen):

Bright Eyes ist ein 1995 von Conor Oberst (* 15. Februar 1980) gegründetes Band-Projekt aus Omaha, Nebraska.

Die Band

Gegründet wurde Bright Eyes als Ein-Mann-Projekt von Conor Oberst. Im Laufe der Zeit kamen Mike Mogis und später Nate Walcott als de facto feste Bandmitglieder hinzu. Mogis ist zudem Produzent vieler Bright-Eyes-Alben.

Für die Studioaufnahmen und Touren werden befreundete Musiker eingeladen, die zum Großteil aus dem Umfeld des Independent-Labels Saddle Creek stammen. Saddle Creek wurde 1993 von dem damals 13-jährigen Oberst, seinem Bruder und einigen seiner Freunde gegründet. Viele der Studio- und Tourneemusiker spielen ihrerseits in erfolgreichen Bands wie etwa Cursive, The Faint, Rilo Kiley oder Azure Ray.

Stil

Bright Eyes zeichnet sich durch persönliche, melancholisch-poetische Texte und einen zittrigen, emotionalen Gesang in Verbindung mit manchmal ausufernden, manchmal präzisen Songs aus, die oft Elemente der amerikanischen Folk- oder Country-Musik enthalten.

Biografie

Conor Oberst schrieb schon mit 13 Jahren erste Lieder und begann diese aufzunehmen. Der Name „Bright Eyes“ wurde zum ersten Mal 1997 verwendet. Frühe Veröffentlichungen wie das Album Letting Off the Happiness (1998), die EP Every Day and Every Night (1999) und das im Jahr 2000 erschienene Fevers and Mirrors blieben zur Zeit ihrer Veröffentlichung noch relativ unbekannt.

Mit dem 2002 veröffentlichten Album Lifted or The Story Is in the Soil, Keep Your Ear to the Ground erreichten Bright Eyes das erste Mal die US-amerikanischen Album-Charts. Auch MTV zeigte Interesse am jungen Singer/Songwriter aus Nebraska und wollte ihn in die Show TRL einladen. Oberst sagte jedoch ab. Nebenbei veröffentlichte er mit den Desaparecidos ein Album namens Read Music/Speak Spanish.

Im Januar 2005 erschienen bei Saddle Creek die beiden neuen Alben Digital Ash in a Digital Urn, eine eher elektronische Pop-Platte, und I’m Wide Awake, It’s Morning, das mehr in der klassischen Folk- und Countrytradition steht. Beide eroberten auf Anhieb vordere Plätze in den US-Charts. Die Singles Lua und Take It Easy (Love Nothing) belegten sogar gleichzeitig Rang 1 und 2 der Billboard Hot 100 Single Sales.

Zur Überbrückung bis zum nächsten Album wurden mit Motion Sickness: Live Recordings und Noise Floor (Rarities 1998–2005) ein Livealbum und eine Compilation mit seltenen Songs (z. B. B-Seiten) veröffentlicht.

Bright Eyes in Wiesbaden 2005

Im April 2007 erschien noch das Album Cassadaga. Danach veröffentlichte Conor Oberst zwei weitere Alben, allerdings unter dem Namen Conor Oberst bzw. Conor Oberst and the Mystic Valley Band.

Am 15. Februar 2011 erschien mit The People’s Key schließlich ein neues Album von Bright Eyes.

Nach langer Pause der Band und Soloprojekten der Beteiligten, erschien am 21. August 2020 das Album Down in the Weeds, Where the World Once Was.

Diskografie

Studioalben

JahrTitelHöchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen[1]
(Jahr, Titel, Plat­zie­rungen, Wo­chen, Aus­zeich­nungen, Anmer­kungen)
Anmerkungen
 DE AT CH UK US
1998A Collection of Songs Written and Recorded 1995–1997
Letting Off the Happiness
2000Fevers and Mirrors
2002Lifted or The Story Is in the Soil, Keep Your Ear to the GroundUS161
(1 Wo.)US
A Christmas Album
2005Digital Ash in a Digital UrnDE30
(3 Wo.)DE
AT49
(2 Wo.)AT
UK43
(2 Wo.)UK
US15
(10 Wo.)US
I’m Wide Awake, It’s MorningDE21
(6 Wo.)DE
AT46
(4 Wo.)AT
UK23
Gold
Gold

(8 Wo.)UK
US10
Gold
Gold

(17 Wo.)US
Motion Sickness: Live Recordings
2006Noise Floor (Rarities 1998–2005)US107
(1 Wo.)US
2007CassadagaDE19
(4 Wo.)DE
AT47
(3 Wo.)AT
CH59
(2 Wo.)CH
UK13
(4 Wo.)UK
US4
(9 Wo.)US
2011The People’s KeyDE42
(2 Wo.)DE
AT36
(2 Wo.)AT
CH50
(1 Wo.)CH
UK46
(1 Wo.)UK
US13
(5 Wo.)US
2020Down in the Weeds, Where the World Once WasDE8
(3 Wo.)DE
AT21
(1 Wo.)AT
CH32
(2 Wo.)CH
UK22
(1 Wo.)UK
US36
(1 Wo.)US

Weblinks

Einzelnachweise

  1. Chartquellen: DE AT CH UK US

Bright Eyes ¦ Fevers And Mirrors
CHF 59.00 inkl. MwSt